Tag Archives: technological artifact

Documentation: io 0.0.1 beta++, the musical automaton and machine improviser constructed by Han-earl Park

io 0.0.1 beta++, Blackrock Castle Observatory, 05-26-2010 (photo copyright 2010, Stephanie Hough)

Back, behind-the-scenes, I still have some articles in draft form that both detail the nuts’n’bolts decision-making processes in the construction of a machine improviser, and self-reflective critique such constructions, detailing the trade-offs and shortcomings of such an entity, and its design and implementation. I would like to get back to work on these at some […]

Posted in audio recordings, construction, hardware, software, theory, website | Also tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Comments closed

Presentation at the Institute of Sonology, The Hague

Tuesday, December 11, 2018, at 3:30pm: I will be giving a presentation at the Instituut voor Sonologie. Among other topics, I’ll be talking about my work constructing, and performing with, musical automata.

Posted in and by the way, construction, performance, theory | Also tagged , , , , , , , , , , , , , , , , , , | Comments closed

Dalston Sound: sonic terrain

In the context of his discussion of Richard Barrett’s Dark Matter, and Barrett and Han-earl Park’s ‘Numbers’, Tim Owen of Dalston Sound describes ‘io 0.0.1 beta++’ (SLAMCD 531): Intellectually, if nothing else, the pair [Richard Barrett and Han-earl Park] are an intriguing match. Before his meeting with Barrett, in May 2010, Park recorded an album, […]

Posted in audio recordings, performance | Also tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Comments closed

from the archives: frankenmusic(s)

Originally posted (under the title ‘beta test 11-10-08: preamble’) on November 25, 2008 in response to the testing session with Franziska Schroeder, and to Franziska’s article. This testing session took place a year and a half before io 0.0.1 beta++’s public debut, and at this stage io was very much work in progress. Almost eight […]

Posted in beta test, construction, theory | Also tagged , , , , , , , , , , , , , , , | Comments closed

freedom, machine subjectivity and pseudo-science: twitter transcript

As a institutionally unaffiliated, part-time geek (and amateur anthropologist), I find the Computer Music tribes’ behavior fascinating. This is an unedited transcript of my observations from ImproTech Paris-New York 2012 : Improvisation & Technology series of events. My original observations came in the form of live tweets via @hanearlpark that spanned the performances on May […]

Posted in and by the way, theory | Also tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Comments closed

from the archives: In Conversation with an Automaton

The Leonardo Electronic Almanac’s archives, a project to reissue articles that document over fifteen years of techno-cultural activity, has caught up with ‘My Favorite Things: The Joy of the Gizmo’ (Volume 15, No. 11-12, November–December 2007). That issue of the LEA, a companion to Leonardo Music Journal, Volume 17, featured my article, ‘In Conversation with […]

Posted in construction, theory, website | Also tagged , , , , , , , , , , , , , , , , , | Comments closed

Annea Lockwood: gritty complexity

I met Annea Lockwood at The Roulette in February which saw the performance of In Our Name. I had the pleasure of talking to her about technological transpositions and the secret lives of everyday (and not so everyday) artifacts. A few days later I posted her a copy of ‘io 0.0.1 beta++’ (SLAMCD 531). A […]

Posted in audio recordings, performance | Also tagged , , , , , , , , , , , , , , , , , , , | Comments closed

JazzWord: AI in an improv session

This one’s really interesting. Perhaps not the warmest review (in comparison to, say, those at MusicZoom, CloudsandClocks or Monsieur Délire), maybe not the fairest, but Ken Waxman’s take on ‘io 0.0.1 beta++’ (SLAMCD 531) at JazzWord, in which the machine improviser is “unobtrusive and egoless” and “thoughtful pauses” signpost the authentic human, I think is […]

Posted in audio recordings, performance, theory | Also tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Comments closed

MusicZoom: un inno totale alla modernità

‘io 0.0.1 beta++’ (SLAMCD 531) is “total hymn to modernity” according to the wonderful review by Vittorio at MusicZoom. It’s a session in which the human musicians “throw themselves with passion on the ideas from the inanimate object”, and the listener will be “fully repaid by that which is a successful experiment.” Il titolo da […]

Posted in audio recordings, performance | Also tagged , , , , , , , , , , , , , , , , , , , , , , , | Comments closed

io 0.0.1 beta: ironic tale? sci-fi parody? nostalgic relic? (a report from TWO Thousand + NINE)

Some thoughts and observations from my presentation on io 0.0.1 beta at the TWO Thousand + NINE symposium, the Sonic Arts Research Center, Belfast, N. Ireland. [Abstract…] At the end of the presentation, a couple of remarks stood out. One was Franziska Schroeder’s comment that the presentation posed more questions than provided answers, and the […]

Posted in performance, theory | Also tagged , , , , , , , , , , , , , , , , , , , , , , , , | Comments closed

io 0.0.1 beta: ironic tale? sci-fi parody? nostalgic relic? (slideshow)

From the slideshow for the presentation on io 0.0.1 beta at the TWO Thousand + NINE symposium, the Sonic Arts Research Center, Belfast, N. Ireland. [Abstract…] My part (spoken by the humyn participant Han-earl Park) was never written down, but the full transcript of the (imaginary) statements by io 0.0.1 beta are reproduced below. (You […]

Posted in performance, theory | Also tagged , , , , , , , , , , , , , , , , , , , , | Comments closed

io 0.0.1 beta: ironic tale? sci-fi parody? nostalgic relic? (abstract)

I’ll be presenting a paper on io 0.0.1 beta at the TWO Thousand + NINE symposium which takes place at the Sonic Arts Research Center, Belfast, N. Ireland. Abstract: Greetings! I am io 0.0.1 beta, an interactive, semi-autonomous, non-human technological artifact—a musical automaton. I operate as parts of a real-time cyborg ensemble—a socio-technical/socio-musical network—in which […]

Posted in performance, theory | Also tagged , , , , , , , , , , , , , , , | Comments closed