Category Archives: audio recordings

Audio documentation of io’s testing process and performances.

current state 2015: human actors

By Han-earl Park | Published: October 25, 2015

Finger-crossed, some interesting news ahead re. machine musicians (and other technological detritus)… but, in the meantime, here’s another update on the activities of io 0.0.1 beta++’s (human) colleagues (it’s been a while since the last one). Han-earl Park Han-earl Park left Brooklyn at the end of 2013. The last few months in New York were […]

Also posted in and by the way, performance, website | Tagged 42nd Street, A B and C, A Little Brittle Music, Alan Jenkins, All About Jazz, Andrea Parkins, Andrew Coates, Andrew Drury, Anna Webber, Anomic Aphasia, Arthur Lacerda, Arts and Humanities Research Council, Artsmith LIVE Gallery, Bad Alchemy, Barely Cool, Beerhouse, Belfast, Berlin, Birmingham, Bristol, Brooklyn, Bruce Coates, Cafe Ort, Caroline Pugh, Catherine Sikora, Centrifuge, CHA, Cheltenham, Cheltenham Improvisers Orchestra, Chris Cundy, Christopher Hobbs, Corey Mwamba, Crewe, Culture Ireland, Days of May Project, Derby, Developing an Aesthetic, Distributed Listening—socially engaged art, Dominic Lash, Eris 136199, Evan Parker, Franziska Schroeder, Gerald Cleaver, Gowanus Company, Han-earl Park, Hilary Jeffery, Improvisations and Piece for Bill Viola, Ingrid Laubrock, Josh Sinton, Justin Yang, KFJC 89.7 FM, Kyoko Kitamura, Lee Allatson, Leicester, London, Lorin Halsall, Lyric Theatre, Ma Thilda, Manchester, Marcos Campello, Mark Sanders, Market Harborough, Metis 9, Mette Rasmussen, Michael Foster, Mike Pride, New York, Nick Didkovsky, Pascal Niggenkemper, Paul Dunmall, PFMCD090, pfMENTUM, Quad Studios, Queen’s University Belfast, Renato Godoy, Rio de Janeiro, Ruth Angell, Science Festival Northern Ireland, Seth Bennett, Sid Peacock, Simon Rose, Slam Productions, SLAMCD 559, Sonic Arts Research Centre, South Leicestershire Improvisers Ensemble, Steve Troman, Stewart Brackley, Subjects and Structures, Tanya Houghton, Tom Rainey, Tubers MiniFestival, Virginia Anderson, Walt Shaw, Wilson Art Gallery, Young Vic | Leave a comment

Improjazz: drama without narration

By Han-earl Park | Published: June 11, 2015

Somehow I managed to miss this when it came out. Noël Tachet’s review of ‘io 0.0.1 beta++’ (SLAMCD 531) in Improjazz from way back in March 2012: Expériences de résonnances et d’occupation de l’espace sonore. Très dramatique sans narration. Tout l’espace est occupé, toujours de manière surprenante, avec peu de sons, peu de matière (toutefois […]

Also posted in performance | Tagged 05-25-2010, 05-26-2010, 08-19-2010, audio recordings, Bruce Coates, CD, Cork, Franziska Schroeder, Han-earl Park, Improjazz, improvisation, interaction, io 0.0.1 beta++, Noël Tachet, performance, recordings, reviews, robotics, Slam Productions, SLAMCD 531 | Leave a comment

CloudsandClocks: deep dialogue

By Han-earl Park | Published: May 17, 2015

While reviewing ‘Anomic Aphasia’ (SLAMCD 559) by Han-earl Park, Catherine Sikora, Nick Didkovsky and Josh Sinton, Beppe Colli, writing in CloudsandClocks, is reminded of ‘io 0.0.1 beta++’ (SLAMCD 531): It was about four years ago that—totally by chance: I found the CD in my mailbox—I listened to guitarist Han-earl Park for the very first time. […]

Also posted in performance | Tagged 05-25-2010, 05-26-2010, 08-19-2010, Anomic Aphasia, audio recordings, automaton, Beppe Colli, Brooklyn, Bruce Coates, Catherine Sikora, CD, CloudsandClocks, Cork, Eris 136199, Franziska Schroeder, George E Lewis, Han-earl Park, improvisation, interaction, io 0.0.1 beta++, Josh Sinton, Metis 9, musical automaton, New York, Nick Didkovsky, performance, recordings, reviews, Slam Productions, SLAMCD 531, SLAMCD 559, Voyager | Leave a comment

video trailer: io 0.0.1 beta++

By Han-earl Park | Published: August 30, 2014

I’m creating YouTube samplers of some of the more recent items in my discography, and I’ve started by uploading a trailer for ‘io 0.0.1 beta++’ (SLAMCD 531) [more info on the recording…]. On the stage: two men, a woman, and an artifact, a freestanding mélange of industrial, military, and domestic hardware. The humans hold graceful, […]

Also posted in performance, website | Tagged 05-25-2010, 05-26-2010, Arts Council of Ireland, audio recordings, automaton, Bruce Coates, CD, Cork, François Couture, Franziska Schroeder, Futurism, Han-earl Park, improvisation, interaction, io 0.0.1 beta++, Monsieur Délire, Music Network, musical automaton, MusicZoom, performance, photographs, recordings, Sara Roberts, Slam Productions, SLAMCD 531, Stephanie Hough, UCC Department of Music, video, Vittorio, YouTube | 1 Response

Dalston Sound: sonic terrain

By Han-earl Park | Published: April 13, 2013

In the context of his discussion of Richard Barrett’s Dark Matter, and Barrett and Han-earl Park’s ‘Numbers’, Tim Owen of Dalston Sound describes ‘io 0.0.1 beta++’ (SLAMCD 531): Intellectually, if nothing else, the pair [Richard Barrett and Han-earl Park] are an intriguing match. Before his meeting with Barrett, in May 2010, Park recorded an album, […]

Also posted in performance | Tagged 05-25-2010, 05-26-2010, 08-19-2010, audio recordings, automaton, Bruce Coates, CD, Christian Eggen, Cikada, Cork, Creative Sources Recordings, CS 201 cd, Dalston Sound, Dark Matter, Deborah Kayser, electronics, Elision Ensemble, Franziska Schroeder, Han-earl Park, improvisation, interaction, io 0.0.1 beta++, musical automaton, Numbers, performance, press, recordings, reviews, Richard Barrett, Slam Productions, SLAMCD 531, technological artifact, technology, Tim Owen | Leave a comment

Downtown Music Gallery is back!

By Han-earl Park | Published: November 4, 2012

Downtown Music Gallery is back up and running after Hurricane Sandy, and they need your support. If io 0.0.1 beta++ could express a preference, I imagine it would state Downtown Music Gallery to be its favorite record store. io, however, cannot prefer, or express a preference for, anything… but you have my expression of preference! […]

Also posted in and by the way | Tagged audio recordings, Bruce Coates, Downtown Music Gallery, Franziska Schroeder, Han-earl Park, Hurricane Sandy, io 0.0.1 beta++, recordings, Slam Productions, SLAMCD 531 | Leave a comment

site update: web audio player

By Han-earl Park | Published: October 30, 2012

I’ve updated the audio player used on this site, and I’m gradually migrating this site’s pages over to the new widget. You can find additional audio recordings (with new widget) on a couple of other pages. I’d be grateful if you could give these a play, and let me know if you have any problems, […]

Also posted in website | Tagged audio recordings, beta test, Bruce Coates, Franziska Schroeder, Han-earl Park, io 0.0.1 beta++, mp3, recordings, Slam Productions, SLAMCD 531, website, WordPress | 4 Responses

site update: farewell music.calarts.edu/~hpark

By Han-earl Park | Published: October 2, 2012

As I’ve stated in more detail elsewhere, music.calarts.edu/~hpark, the original home of io 0.0.1 beta, has shut down. That shouldn’t affect the majority of visitors to this site, but some of the older media files stored on music.calarts.edu (linked via the archived io 0.0.1 beta site) have now been migrated to io001b.com.

Also posted in website | Tagged audio recordings, io 0.0.1 beta++, mp3, recordings, website | Leave a comment

SLAM Productions featured in The New York City Jazz Record

By Han-earl Park | Published: August 6, 2012

This month, The New York City Jazz Record puts a spotlight on the record label SLAM Productions. [NYC Jazz Record (PDF)…] [More…] If the musical automaton io 0.0.1 beta++ could feel gratitude, or express thanks, I imagine it would warmly thank George Haslam and his label for taking a gamble on a recording of real-time […]

Also posted in and by the way, performance | Tagged Bruce Coates, CD, Franziska Schroeder, George Haslam, Han-earl Park, io 0.0.1 beta++, Ken Waxman, press, Slam Productions, SLAMCD 531, The New York City Jazz Record | Leave a comment

Han-earl Park and Franziska Schroeder (Cork, 03–26–09)

By Han-earl Park | Published: June 12, 2012

Nothing directly to do with io 0.0.1 beta++ specifically (nor machine improvisation generally), however, this does feature the constructor and the on-stage colleague of io, and was recorded around the time of the Mach 26, 2009 development and testing process of the musical automaton. The complete recording of the March 26, 2009 performance by saxophonist, […]

Also posted in and by the way, performance | Tagged Áine Sheil, Attribution-Noncommercial-No Derivative Works License, audio recordings, Bandcamp, Chorale, Cork, Creative Commons, Franziska Schroeder, Han-earl Park, Lewis Glucksman Gallery, mp3, Nova, recordings, Scatter | Leave a comment

Annea Lockwood: gritty complexity

By Han-earl Park | Published: April 19, 2012

I met Annea Lockwood at The Roulette in February which saw the performance of In Our Name. I had the pleasure of talking to her about technological transpositions and the secret lives of everyday (and not so everyday) artifacts. A few days later I posted her a copy of ‘io 0.0.1 beta++’ (SLAMCD 531). A […]

Also posted in performance | Tagged 05-25-2010, Annea Lockwood, audio recordings, CD, Cork, Discovery: Intermodulation, Han-earl Park, In Our Name, interaction, io 0.0.1 beta++, performance, Piano Transplants, recordings, relationships, reviews, Slam Productions, SLAMCD 531, technological artifact, The Roulette, The Secret Life, timbre | 1 Response

Jazz Convention: l’avanguardia è tornata

By Han-earl Park | Published: February 14, 2012

“The avant-garde is back,” according to Romualdo Del Noce at Jazz Convention. In his review of ‘io 0.0.1 beta++’ (SLAMCD 531), Han-earl Park improvises a “rugged plateau” and “hyperacid notes”, Franziska Schroeder enriches “the other half of the sax… with a naked and experimental voice, together in harmony and dissonance with parallel and converging streams […]

Also posted in performance | Tagged 05-25-2010, 05-26-2010, 08-19-2010, aleatory, Alexandra Grimal, audio recordings, authentic human, avant-garde, Bruce Coates, CD, Cork, cyborgs, Franziska Schroeder, Han-earl Park, identities, Ingrid Laubrock, io 0.0.1 beta++, Jazz Convention, Leofranc Holford-Strevens, listening, Matana Roberts, Melanie L Marshall, noise, othering, performance, recordings, reviews, Sara Roberts, Slam Productions, SLAMCD 531 | 1 Response

io 0.0.1 beta++

interactive
semi-autonomous
technological artifact
machine musician and improviser

Category Archives: audio recordings

current state 2015: human actors

Improjazz: drama without narration

CloudsandClocks: deep dialogue

video trailer: io 0.0.1 beta++

Dalston Sound: sonic terrain

Downtown Music Gallery is back!

site update: web audio player

site update: farewell music.calarts.edu/~hpark

SLAM Productions featured in The New York City Jazz Record

Han-earl Park and Franziska Schroeder (Cork, 03–26–09)

Annea Lockwood: gritty complexity

Jazz Convention: l’avanguardia è tornata

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