Tag Archives: photographs

Baroque and Renaissance (audio clip: io 0.0.1 beta++)

By Han-earl Park | Published: December 19, 2011

Third audio clip (and final in the series) from ‘io 0.0.1 beta++’ (SLAMCD 531) below: Excerpted from the track ‘Discovery: Decay’, the clip is taken from what is, for me, an uncharacteristic track on the CD, with its serene, careful and economical counterpoint between saxophonist Franziska Schroeder, me on guitar, and the interactive automaton io [...]

Posted in audio recordings, performance | Also tagged 05-25-2010, audio excerpt, audio recordings, Beppe Colli, Bruce Coates, CD, CloudsandClocks, Cork, counterpoint, Discovery: Decay, Franziska Schroeder, George Haslam, Han-earl Park, io 0.0.1 beta++, mp3, Ó Riada Hall, performance, recordings, Slam Productions, SLAMCD 531 | 1 Comment

impressive synergy (audio clip: io 0.0.1 beta++)

By Han-earl Park | Published: November 18, 2011

Second audio clip from ‘io 0.0.1 beta++’ (SLAMCD 531) below: Excerpted from the track ‘Discovery: Intermodulation’, the clip features Bruce Coates on sopranino saxophone in duet with the musical automaton io 0.0.1 beta++. One of my favorite moments from the CD, it’s a performance that demonstrates, to quote François Couture, “dismantled gestures, destabilizing timbres, and [...]

Posted in audio recordings, performance | Also tagged 05-25-2010, audio excerpt, audio recordings, Bruce Coates, CD, Cork, Discovery: Intermodulation, François Couture, Franziska Schroeder, George Haslam, Han-earl Park, io 0.0.1 beta++, Monsieur Délire, mp3, Ó Riada Hall, performance, recordings, Slam Productions, SLAMCD 531 | 2 Comments

standing alone (audio clip: io 0.0.1 beta++)

By Han-earl Park | Published: October 21, 2011

Hear a short clip from ‘io 0.0.1 beta++’ (SLAMCD 531) below. The clip, taken from the track ‘Laplace: Perturbation’, features the last minute of the solo by machine improviser io 0.0.1 beta++, and fades out as guitarist Han-earl Park joins it in free play. [More info on the recording…] Thanks to Corey Mwamba and Jonathan [...]

Posted in audio recordings, performance | Also tagged 05-25-2010, audio excerpt, audio recordings, Blackrock Castle Observatory, Bruce Coates, CD, Corey Mwamba, Cork, Franziska Schroeder, George Haslam, Han-earl Park, io 0.0.1 beta++, Jonathan Deasy, Laplace: Perturbation, mp3, Ó Riada Hall, performance, recordings, Slam Productions, SLAMCD 531 | 2 Comments

site update: image gallery

By Han-earl Park | Published: September 30, 2011

Press/publicity photos and images of io 0.0.1 beta++, its construction and performances, are collated at: picasaweb.google.com/hanearlpark/io001beta Photographs copyright the photographers. If you use any of the images, please credit the corresponding photographer. [Additional images…]. ‘io 0.0.1 beta++’ (SLAMCD 531) is available from SLAM Productions. [Details…] personnel: io 0.0.1 beta++ (itself), Han-earl Park (guitar), Bruce Coates [...]

Posted in construction, hardware, performance, website | Also tagged 05-25-2010, 05-26-2010, Arts Council of Ireland, Blackrock Castle Observatory, Bruce Coates, C-ALTO Labs, Cork, Franziska Schroeder, Han-earl Park, io 0.0.1 beta++, Music Network, Ó Riada Hall, performance, Slam Productions, SLAMCD 531, Stephanie Hough, The Castle Bar and Trattoria, UCC School of Music, website | Leave a comment

download release: io 0.0.1 beta++

By Han-earl Park | Published: August 4, 2011

In addition to the physical CD, the recording of improvised music by human (Han-earl Park, Bruce Coates and Franziska Schroeder) and machine (io 0.0.1 beta++) performers, ‘io 0.0.1 beta++’ (SLAMCD 531) is now available for download from [iTunes…] [eMusic…] [Amazon…] I still recommend the physical CD, however, as it comes with Sara Roberts’ smart, witty [...]

Posted in audio recordings, performance | Also tagged 05-25-2010, 05-26-2010, 08-19-2010, Amazon, audio recordings, Bruce Coates, CD, Cork, Downtown Music Gallery, eMusic, Franziska Schroeder, Han-earl Park, io 0.0.1 beta++, iTunes, Jazzcds, mp3, Ó Riada Hall, performance, recordings, Sara Roberts, Slam Productions, SLAMCD 531, Wayside Music | Leave a comment

manifesto in action (liner notes: io 0.0.1 beta++)

By Han-earl Park | Published: May 29, 2011

Fourth and final excerpt from Sara Roberts’ liner notes to ‘io 0.0.1 beta++’ (SLAMCD 531): There is the limbic tickle of Freud’s uncanny, yes, our scanners are confused by this non-human playing music with humans. But even beyond that animal attentiveness we watch and listen carefully because we know we’re seeing a kind of manifesto [...]

Posted in audio recordings, performance, theory | Also tagged 05-25-2010, 05-26-2010, audience, audio recordings, Bruce Coates, CD, Cork, Franziska Schroeder, Han-earl Park, io 0.0.1 beta++, liner notes, musical automaton, performance, recordings, Sara Roberts, SLAMCD 531, Stephanie Hough | Leave a comment

standing alone (liner notes: io 0.0.1 beta++)

By Han-earl Park | Published: May 25, 2011

Third excerpt from Sara Roberts’ liner notes to ‘io 0.0.1 beta++’ (SLAMCD 531): For the audience, wondering how this artifact has so much presence, is so handily managing a situation they themselves might be challenged to negotiate? There is something in io’s performance that a human musician, even playing io as an instrument, could not [...]

Posted in audio recordings, performance, theory | Also tagged 05-25-2010, 05-26-2010, audience, audio recordings, Bruce Coates, CD, Cork, Franziska Schroeder, Han-earl Park, hardware, improvisation, io 0.0.1 beta++, liner notes, musical automaton, performance, recordings, Sara Roberts, SLAMCD 531, Stephanie Hough | 1 Comment

its own sound (liner notes: io 0.0.1 beta++)

By Han-earl Park | Published: May 21, 2011

Another short excerpt from Sara Roberts’ liner notes to ‘io 0.0.1 beta++’ (SLAMCD 531): io 0.0.1 beta++ is rather special in being both an instrument and a player. And given the two attributes it has a very particular sound, ‘sound’ here referring to both timbral quality and the broader sense of having an indelible identity, [...]

Posted in audio recordings, performance, theory | Also tagged 05-25-2010, 05-26-2010, audio recordings, Bruce Coates, CD, Contemporary Music Review, Cork, Franziska Schroeder, George E Lewis, Han-earl Park, hardware, Interacting with Latter-Day Musical Automata, io 0.0.1 beta++, liner notes, musical automaton, Ó Riada Hall, performance, recordings, Sara Roberts, SLAMCD 531, sound, Stephanie Hough, timbre | 2 Comments

a curious situation (liner notes: io 0.0.1 beta++)

By Han-earl Park | Published: May 16, 2011

A short excerpt from the liner notes to ‘io 0.0.1 beta++’ (SLAMCD 531) written by the California-based interactive media artist Sara Roberts: On the stage: two men, a woman, and an artifact, a freestanding mélange of industrial, military, and domestic hardware. The humans hold graceful, polished objects, but the domed assemblage stands alone. And while [...]

Posted in audio recordings, performance, theory | Also tagged 05-25-2010, 05-26-2010, audio recordings, Bruce Coates, CD, Cork, Franziska Schroeder, gesture, Han-earl Park, hardware, improvisation, io 0.0.1 beta++, liner notes, musical automaton, networks, Ó Riada Hall, performance, recordings, Sara Roberts, SLAMCD 531 | 5 Comments

photographs: Human-Machine Improvisations (Cork, 2010)

By Han-earl Park | Published: May 13, 2011

Long overdue, but here are a few photographs from the May 26, 2010 performance by io 0.0.1 beta++ with Han-earl Park, Bruce Coates and Franziska Schroeder at Blackrock Castle Observatory (Cork, Ireland) [details…]. All photos by, and copyright 2010, Stephanie Hough. io 0.0.1 beta++ (Blackrock Castle Observatory, Cork, May 26, 2010). Photo © 2010 Stephanie [...]

Posted in performance | Also tagged 05-26-2010, Arts Council of Ireland, Blackrock Castle Observatory, Bruce Coates, Cork, Franziska Schroeder, Han-earl Park, io 0.0.1 beta++, Music Network, performance, Stephanie Hough, The Castle Bar and Trattoria, UCC School of Music | Leave a comment

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