Tag Archives: CloudsandClocks

JazzWord: AI in an improv session

By Han-earl Park | Published: January 22, 2012

This one’s really interesting. Perhaps not the warmest review (in comparison to, say, those at MusicZoom, CloudsandClocks or Monsieur Délire), maybe not the fairest, but Ken Waxman’s take on ‘io 0.0.1 beta++’ (SLAMCD 531) at JazzWord, in which the machine improviser is “unobtrusive and egoless” and “thoughtful pauses” signpost the authentic human, I think is [...]

Posted in audio recordings, performance, theory | Also tagged 05-25-2010, 05-26-2010, 08-19-2010, 4G, artificial intelligence, audio recordings, authentic human, Birmingham Improvisers’ Orchestra, Bruce Coates, CD, Charles Hayward, Cork, Franziska Schroeder, Han-earl Park, Ian Smith, improvisation, interaction, io 0.0.1 beta++, JazzWord, Ken Waxman, Mathilde 253, Monsieur Délire, musical automaton, MusicZoom, Pauline Oliveros, performance, Pioneer: Dance, Pioneer: Variance, recordings, Return Trajectory, reviews, Richard Barrett, Slam Productions, SLAMCD 531, Sonic Arts Research Centre, technological artifact | Leave a comment

Baroque and Renaissance (audio clip: io 0.0.1 beta++)

By Han-earl Park | Published: December 19, 2011

Third audio clip (and final in the series) from ‘io 0.0.1 beta++’ (SLAMCD 531) below: Excerpted from the track ‘Discovery: Decay’, the clip is taken from what is, for me, an uncharacteristic track on the CD, with its serene, careful and economical counterpoint between saxophonist Franziska Schroeder, me on guitar, and the interactive automaton io [...]

Posted in audio recordings, performance | Also tagged 05-25-2010, audio excerpt, audio recordings, Beppe Colli, Bruce Coates, CD, Cork, counterpoint, Discovery: Decay, Franziska Schroeder, George Haslam, Han-earl Park, io 0.0.1 beta++, mp3, Ó Riada Hall, performance, photographs, recordings, Slam Productions, SLAMCD 531 | 1 Comment

CloudsandClocks: disciplina delle scelte

By Han-earl Park | Published: September 4, 2011

Beppe Colli at CloudsandClocks writes a nice review [in English…] [in Italian…] of ‘io 0.0.1 beta++’ (SLAMCD 531) in which the “flesh-and-blood musicians” (Han-earl Park, Bruce Coates and Franziska Schroeder) demonstrate “excellent rapport” and “a good dose of telepathy”, while the machine musician (io 0.0.1 beta++) “works as a valuable stimulus for its fellow musicians”: [...]

Posted in audio recordings, performance | Also tagged 05-25-2010, 05-26-2010, 08-19-2010, Alan Turing, Anthony Braxton, audio recordings, Beppe Colli, body, Bruce Coates, CD, Company, Cork, Derek Bailey, Evan Parker, Franziska Schroeder, Han-earl Park, improvisation, interaction, io 0.0.1 beta++, Joe Pass, performance, physicality, recordings, Return Trajectory, reviews, Sara Roberts, Slam Productions, SLAMCD 531, Turing test | 3 Comments

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