Tag Archives: CloudsandClocks

CloudsandClocks: deep dialogue

By Han-earl Park | Published: May 17, 2015

While reviewing ‘Anomic Aphasia’ (SLAMCD 559) by Han-earl Park, Catherine Sikora, Nick Didkovsky and Josh Sinton, Beppe Colli, writing in CloudsandClocks, is reminded of ‘io 0.0.1 beta++’ (SLAMCD 531): It was about four years ago that—totally by chance: I found the CD in my mailbox—I listened to guitarist Han-earl Park for the very first time. […]

Posted in audio recordings, performance | Also tagged 05-25-2010, 05-26-2010, 08-19-2010, Anomic Aphasia, audio recordings, automaton, Beppe Colli, Brooklyn, Bruce Coates, Catherine Sikora, CD, Cork, Eris 136199, Franziska Schroeder, George E Lewis, Han-earl Park, improvisation, interaction, io 0.0.1 beta++, Josh Sinton, Metis 9, musical automaton, New York, Nick Didkovsky, performance, recordings, reviews, Slam Productions, SLAMCD 531, SLAMCD 559, Voyager | Leave a comment

JazzWord: AI in an improv session

By Han-earl Park | Published: January 22, 2012

This one’s really interesting. Perhaps not the warmest review (in comparison to, say, those at MusicZoom, CloudsandClocks or Monsieur Délire), maybe not the fairest, but Ken Waxman’s take on ‘io 0.0.1 beta++’ (SLAMCD 531) at JazzWord, in which the machine improviser is “unobtrusive and egoless” and “thoughtful pauses” signpost the authentic human, I think is […]

Posted in audio recordings, performance, theory | Also tagged 05-25-2010, 05-26-2010, 08-19-2010, 4G, artificial intelligence, audio recordings, authentic human, Birmingham Improvisers’ Orchestra, Bruce Coates, CD, Charles Hayward, Cork, Franziska Schroeder, Han-earl Park, Ian Smith, improvisation, interaction, io 0.0.1 beta++, JazzWord, Ken Waxman, Mathilde 253, Monsieur Délire, musical automaton, MusicZoom, Pauline Oliveros, performance, Pioneer: Dance, Pioneer: Variance, recordings, Return Trajectory, reviews, Richard Barrett, Slam Productions, SLAMCD 531, Sonic Arts Research Centre, technological artifact | Leave a comment

Baroque and Renaissance (audio clip: io 0.0.1 beta++)

By Han-earl Park | Published: December 19, 2011

Third audio clip (and final in the series) from ‘io 0.0.1 beta++’ (SLAMCD 531) below: Franziska Schroeder (soprano saxophone), io 0.0.1 beta++ (itself) and Han-earl Park (guitar). Excerpted from the track ‘Discovery: Decay’, the clip is taken from what is, for me, an uncharacteristic track on the CD, with its serene, careful and economical counterpoint […]

Posted in audio recordings, performance | Also tagged 05-25-2010, audio excerpt, audio recordings, Beppe Colli, Bruce Coates, CD, Cork, counterpoint, Discovery: Decay, Franziska Schroeder, George Haslam, Han-earl Park, io 0.0.1 beta++, mp3, Ó Riada Hall, performance, photographs, recordings, Slam Productions, SLAMCD 531 | 4 Responses

CloudsandClocks: disciplina delle scelte

By Han-earl Park | Published: September 4, 2011

Beppe Colli at CloudsandClocks writes a nice review [in English…] [in Italian…] of ‘io 0.0.1 beta++’ (SLAMCD 531) in which the “flesh-and-blood musicians” (Han-earl Park, Bruce Coates and Franziska Schroeder) demonstrate “excellent rapport” and “a good dose of telepathy”, while the machine musician (io 0.0.1 beta++) “works as a valuable stimulus for its fellow musicians”: […]

Posted in audio recordings, performance | Also tagged 05-25-2010, 05-26-2010, 08-19-2010, Alan Turing, Anthony Braxton, audio recordings, Beppe Colli, body, Bruce Coates, CD, Company, Cork, Derek Bailey, Evan Parker, Franziska Schroeder, Han-earl Park, improvisation, interaction, io 0.0.1 beta++, Joe Pass, performance, physicality, recordings, Return Trajectory, reviews, Sara Roberts, Slam Productions, SLAMCD 531, Turing test | 3 Responses

Search
Immediate Actors
Wider Network
Recent Posts
Archives
Archives
Categories
- and by the way (19)
- construction (49)
  - hardware (30)
  - schedule (3)
  - software (25)
- performance (73)
  - audio recordings (40)
  - beta test (11)
- theory (29)
- website (16)
Privacy & Cookies: This site uses cookies. By continuing to use this website, you agree to their use.
To find out more, including how to control cookies, see here: Cookie Policy