Tag Archives: Catherine Sikora

current state 2015: human actors

By Han-earl Park | Published: October 25, 2015

Finger-crossed, some interesting news ahead re. machine musicians (and other technological detritus)… but, in the meantime, here’s another update on the activities of io 0.0.1 beta++’s (human) colleagues (it’s been a while since the last one). Han-earl Park Han-earl Park left Brooklyn at the end of 2013. The last few months in New York were […]

Posted in and by the way, audio recordings, performance, website | Also tagged 42nd Street, A B and C, A Little Brittle Music, Alan Jenkins, All About Jazz, Andrea Parkins, Andrew Coates, Andrew Drury, Anna Webber, Anomic Aphasia, Arthur Lacerda, Arts and Humanities Research Council, Artsmith LIVE Gallery, Bad Alchemy, Barely Cool, Beerhouse, Belfast, Berlin, Birmingham, Bristol, Brooklyn, Bruce Coates, Cafe Ort, Caroline Pugh, Centrifuge, CHA, Cheltenham, Cheltenham Improvisers Orchestra, Chris Cundy, Christopher Hobbs, Corey Mwamba, Crewe, Culture Ireland, Days of May Project, Derby, Developing an Aesthetic, Distributed Listening—socially engaged art, Dominic Lash, Eris 136199, Evan Parker, Franziska Schroeder, Gerald Cleaver, Gowanus Company, Han-earl Park, Hilary Jeffery, Improvisations and Piece for Bill Viola, Ingrid Laubrock, Josh Sinton, Justin Yang, KFJC 89.7 FM, Kyoko Kitamura, Lee Allatson, Leicester, London, Lorin Halsall, Lyric Theatre, Ma Thilda, Manchester, Marcos Campello, Mark Sanders, Market Harborough, Metis 9, Mette Rasmussen, Michael Foster, Mike Pride, New York, Nick Didkovsky, Pascal Niggenkemper, Paul Dunmall, PFMCD090, pfMENTUM, Quad Studios, Queen’s University Belfast, Renato Godoy, Rio de Janeiro, Ruth Angell, Science Festival Northern Ireland, Seth Bennett, Sid Peacock, Simon Rose, Slam Productions, SLAMCD 559, Sonic Arts Research Centre, South Leicestershire Improvisers Ensemble, Steve Troman, Stewart Brackley, Subjects and Structures, Tanya Houghton, Tom Rainey, Tubers MiniFestival, Virginia Anderson, Walt Shaw, Wilson Art Gallery, Young Vic | Leave a comment

CloudsandClocks: deep dialogue

By Han-earl Park | Published: May 17, 2015

While reviewing ‘Anomic Aphasia’ (SLAMCD 559) by Han-earl Park, Catherine Sikora, Nick Didkovsky and Josh Sinton, Beppe Colli, writing in CloudsandClocks, is reminded of ‘io 0.0.1 beta++’ (SLAMCD 531): It was about four years ago that—totally by chance: I found the CD in my mailbox—I listened to guitarist Han-earl Park for the very first time. […]

Posted in audio recordings, performance | Also tagged 05-25-2010, 05-26-2010, 08-19-2010, Anomic Aphasia, audio recordings, automaton, Beppe Colli, Brooklyn, Bruce Coates, CD, CloudsandClocks, Cork, Eris 136199, Franziska Schroeder, George E Lewis, Han-earl Park, improvisation, interaction, io 0.0.1 beta++, Josh Sinton, Metis 9, musical automaton, New York, Nick Didkovsky, performance, recordings, reviews, Slam Productions, SLAMCD 531, SLAMCD 559, Voyager | Leave a comment

current state 2013: human actors

By Han-earl Park | Published: January 2, 2013

Still planning to take the io 0.0.1 beta++ on the road in 2014, but, in the meantime, here’s what the machine improviser’s (human) colleagues have been up to since last year’s update, and a little of what’s coming up in 2013. Han-earl Park Based in Brooklyn, during 2012, Han-earl Park has been performing with Michael Evans, Louise […]

Posted in and by the way, performance, website | Also tagged ABC No Rio, Andrew Drury, Belfast, BIG EARS – learning to design sonic arts, Birmingham Improvisers’ Orchestra, BRIDGE 9381A/B, Bridge Records, Brooklyn, Bruce Coates, Cambridge Scholars Publishing, Canterbury, Caroline Forbes, Charles Hayward, Chris Hobbs, Citizens Ontological Music Agenda, Creative Sources Recordings, CS 201 cd, David Borgo, Délire actuel, Dominic Lash, Douglass Street Music Collective, Eris 136199, Evan Parker, FAINT, Fizzle, François Couture, Franziska Schroeder, Freedom of the City, Geoff Bright, Georgina Born, Han-earl Park, Harris Eisenstadt, Ian Smith, Identity Performance and Technology: Practices of empowerment embodiment and technicity, Imogene Newland, Improvisation Birmingham, Improvisation in the 21st Century, io 0.0.1 beta++, Jazz @ The Oxford, Jo Machon, Josh Sinton, Juxtavoices, London, Louise Dam Eckardt Jensen, Magna, Mark Hanslip, Mark Sanders, Massimo Ricci, Mathilde 253, Michael Evans, Monsieur Délire, New York, Nick Didkovsky, Nine Ways of Seeing a Body: Body & Performance, Node/Flow/Mass Disaster Box, Numbers, On The Way Out, Out Of Your Head Brooklyn, Oxford, Palgrave Macmillan, Paul Dunmall, Perspective on Musical Improvisation, Phillip Marks, Richard Barrett, Rotherham, Shifting Listening Identities—Towards a Fluidity of Form in Digital Music, Sonic Arts Research Centre, Sonorities Festival, Sounds New Contemporary Music Festival, Sue Broadhurst, The $100 Guitar Project, The Musical Body—Devising a choreo-musical interpretation for the work Tierkreis (1974–75) by Karlheinz Stockhausen, The Stone, Tim Perkis, Triarchy Press, Virginia Anderson, Walt Shaw | 1 Response

current state 2012: human actors

By Han-earl Park | Published: January 16, 2012

I’ll be posting an article dealing with an aspect of the technical and theoretical construction and operation of a interactive musical automaton in the coming weeks. In the meantime, here’s an update on what some of the (human) actors in the io 0.0.1 beta++ network have been up to, and will be doing in the […]

Posted in and by the way, performance, website | Also tagged Brooklyn, Bruce Coates, Charles Hayward, Claire Coates, Contemporary Music Review, Cork, Creative Sources Recordings, CS 201 cd, Déda, Derby, Digital Resources in the Humanities and Arts, Downtown Music Gallery, Evan Parker, Franziska Schroeder, FrImp, Gargantius Effect, Gino Robair, Huddersfield, Ian Smith, Identity Performance and Technology: Practices of empowerment embodiment and technicity, Improvisation Birmingham, International Computer Music Conference, Interpretations, Ishmael Wadada Leo Smith, Jo Machon, John Shiurba, Jonny Marks, Kris Tiner, Mathilde 253, Matt Ingalls, Migrations, mprovisers’ Orchestra, Murray Campbell, Mutt, Network[ed] Listening—Towards a de-centering of beings, New York, Ningbo, Noise Quartet Concert, Numbers, Palgrave Macmillan, PRS, Randy McKean, Richard Barrett, Richard Scott, Roulette, Routledge, Scott R Looney, Shifting Listening Identities—Towards a Fluidity of Form in Digital Music, Silver Orchestra, Sonic Arts Research Centre, Sonorities Festival, Sue Broadhurst, Ted Byrnes, The Brecht Forum, Tim Perkis, Tracy McMullen, Vicmod Records, VMDL11, Walt Shaw | 2 Responses

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