Tag Archives: Murray Campbell

current state 2012: human actors

By Han-earl Park | Published: January 16, 2012

I’ll be posting an article dealing with an aspect of the technical and theoretical construction and operation of a interactive musical automaton in the coming weeks. In the meantime, here’s an update on what some of the (human) actors in the io 0.0.1 beta++ network have been up to, and will be doing in the [...]

Posted in performance, website | Also tagged Brooklyn, Bruce Coates, Catherine Sikora, Charles Hayward, Claire Coates, Contemporary Music Review, Cork, Creative Sources Recordings, CS 201 cd, Déda, Derby, Digital Resources in the Humanities and Arts, Downtown Music Gallery, Evan Parker, Franziska Schroeder, FrImp, Gargantius Effect, Gino Robair, Huddersfield, Ian Smith, Identity Performance and Technology: Practices of empowerment embodiment and technicity, Improvisation Birmingham, International Computer Music Conference, Interpretations, Ishmael Wadada Leo Smith, Jo Machon, John Shiurba, Jonny Marks, Kris Tiner, Mathilde 253, Matt Ingalls, Migrations, mprovisers’ Orchestra, Mutt, Network[ed] Listening—Towards a de-centering of beings, New York, Ningbo, Noise Quartet Concert, Numbers, Palgrave Macmillan, PRS, Randy McKean, Richard Barrett, Richard Scott, Roulette, Routledge, Scott R Looney, Shifting Listening Identities—Towards a Fluidity of Form in Digital Music, Silver Orchestra, Sonic Arts Research Centre, Sonorities Festival, Sue Broadhurst, Ted Byrnes, The Brecht Forum, Tim Perkis, Tracy McMullen, Vicmod Records, VMDL11, Walt Shaw | Leave a comment

CD available: io 0.0.1 beta++

By Han-earl Park | Published: July 9, 2011

Released as part of SLAM Productions’ August 2011 CD catalog: ‘io 0.0.1 beta++’ (SLAMCD 531) with Han-earl Park, Bruce Coates and Franziska Schroeder. [Slam Productions catalog page…] [Get it from Slam Productions…] [Get it from distributors/shops…] [Downtown Music Gallery…] [Jazzcds…] [Wayside Music…] [iTunes…] [eMusic…] [Amazon…] Note: downloads, in contrast to the physical CDs, do not [...]

Posted in audio recordings, performance | Also tagged 05-25-2010, 05-26-2010, 08-19-2010, 4G, Alex Fiennes, Amazon, Arts Council of Ireland, audio recordings, Birmingham Improvisers’ Orchestra, Blackrock Castle Observatory, Bruce Coates, C-ALTO Labs, CD, Charles Hayward, Clair McSweeney, Cork, Discovery: Decay, Discovery: Intermodulation, Downtown Music Gallery, eMusic, Evan Parker, FAINT, Franziska Schroeder, Ground-Based Telemetry, Han-earl Park, Ian Smith, io 0.0.1 beta++, Ishmael Wadada Leo Smith, iTunes, Jazzcds, John Godfrey, John Hough, Kato Hideki, Kevin Terry, Laplace: Instability, Laplace: Perturbation, Lol Coxhill, Mathilde 253, Mel Mercier, Melanie L Marshall, Music Network, Ó Riada Hall, Paul Dunmall, Paul Everett, performance, Phil Burk, Pioneer: Dance, Pioneer: Variance, recordings, Return Trajectory, Riccardo Vallebella, Sara Roberts, Slam Productions, SLAMCD 528, SLAMCD 531, Stephanie Hough, The Castle Bar and Trattoria, UCC Department of Music, Wayside Music | Leave a comment

acknowledgments: Human-Machine Improvisations (Cork, 2010)

By Han-earl Park | Published: May 28, 2010

Formal acknowledgments below, but my personal thanks to Clair and Riccardo for hosting this event, to Kevin for the behind-the-scenes help, to John Hough for answering requests for technical assistance, and to Stephanie for her visual skills. Special kudos to Melanie for supporting me through the highs and lows of prepping and running this venture, [...]

Posted in performance | Also tagged 05-26-2010, Arts Council of Ireland, Blackrock Castle Observatory, Bruce Coates, Clair McSweeney, Cork, Franziska Schroeder, Han-earl Park, io 0.0.1 beta++, iWife, John Godfrey, John Hough, Kevin Terry, Mel Mercier, Melanie L Marshall, Music Network, Paul Everett, performance, Phil Burk, photographs, Riccardo Vallebella, Sara Roberts, Stephanie Hough, The Castle Bar and Trattoria, UCC School of Music | Leave a comment

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