Tag Archives: Han-earl Park

Presentation at the Institute of Sonology, The Hague

By Han-earl Park | Published: December 7, 2018

Tuesday, December 11, 2018, at 3:30pm: I will be giving a presentation at the Instituut voor Sonologie. Among other topics, I’ll be talking about my work constructing, and performing with, musical automata.

Posted in and by the way, construction, performance, theory | Also tagged 12-11-2018, 12-12-2018, automaton, Church of Sonology, construction, identities, improvisation, Institute of Sonology, Instituut voor Sonologie, interaction, io 0.0.1 beta++, Koninklijk Conservatorium, machine musician, musical automaton, Numbers, performance, presentation, Richard Barrett, technological artifact | Leave a comment

RIP, Douglas Rain

By Han-earl Park | Published: November 13, 2018

Automatic Morricone Machine

RIP, Douglas Rain, who gave his voice to the machines of our dreams and nightmares, and shaped the vocality that stood for anxiety in the age of machines.

Posted in and by the way, audio recordings, theory | Also tagged audio recordings, Automatic Morricone Machine, bodies, body, Douglas Rain, HAL68000, HAL9000, HMSL, identities, machine musician, musical automaton, recordings, robotics, software, speech synthesis, voice | Leave a comment

Han-earl Park and Bruce Coates (Birmingham, 07-19-16)

By Han-earl Park | Published: July 18, 2016

Bruce Coates, Han-eark Park and Walt Shaw

Tuesday, July 19, 2016, at at 7:30pm: Bruce Coates (saxophones), Han-earl Park (guitar) and Walt Shaw (percussion), plus Jim Bashford (drums) and Andrew Woodhead (piano), perform at Fizzle @ The Lamp Tavern (Barford Street, Birmingham B5 6AH).

Posted in and by the way, performance | Also tagged 07-19-2016, 10-04-2014, 11-07-2006, Andrew Woodhead, Birmingham, Bruce Coates, Fizzle, Improvisation Birmingham, Jim Bashford, performance, The Lamp Tavern, Walt Shaw | Leave a comment

current state 2015: human actors

By Han-earl Park | Published: October 25, 2015

Finger-crossed, some interesting news ahead re. machine musicians (and other technological detritus)… but, in the meantime, here’s another update on the activities of io 0.0.1 beta++’s (human) colleagues (it’s been a while since the last one). Han-earl Park Han-earl Park left Brooklyn at the end of 2013. The last few months in New York were […]

Posted in and by the way, audio recordings, performance, website | Also tagged 42nd Street, A B and C, A Little Brittle Music, Alan Jenkins, All About Jazz, Andrea Parkins, Andrew Coates, Andrew Drury, Anna Webber, Anomic Aphasia, Arthur Lacerda, Arts and Humanities Research Council, Artsmith LIVE Gallery, Bad Alchemy, Barely Cool, Beerhouse, Belfast, Berlin, Birmingham, Bristol, Brooklyn, Bruce Coates, Cafe Ort, Caroline Pugh, Catherine Sikora, Centrifuge, CHA, Cheltenham, Cheltenham Improvisers Orchestra, Chris Cundy, Christopher Hobbs, Corey Mwamba, Crewe, Culture Ireland, Days of May Project, Derby, Developing an Aesthetic, Distributed Listening—socially engaged art, Dominic Lash, Eris 136199, Evan Parker, Franziska Schroeder, Gerald Cleaver, Gowanus Company, Hilary Jeffery, Improvisations and Piece for Bill Viola, Ingrid Laubrock, Josh Sinton, Justin Yang, KFJC 89.7 FM, Kyoko Kitamura, Lee Allatson, Leicester, London, Lorin Halsall, Lyric Theatre, Ma Thilda, Manchester, Marcos Campello, Mark Sanders, Market Harborough, Metis 9, Mette Rasmussen, Michael Foster, Mike Pride, New York, Nick Didkovsky, Pascal Niggenkemper, Paul Dunmall, PFMCD090, pfMENTUM, Quad Studios, Queen’s University Belfast, Renato Godoy, Rio de Janeiro, Ruth Angell, Science Festival Northern Ireland, Seth Bennett, Sid Peacock, Simon Rose, Slam Productions, SLAMCD 559, Sonic Arts Research Centre, South Leicestershire Improvisers Ensemble, Steve Troman, Stewart Brackley, Subjects and Structures, Tanya Houghton, Tom Rainey, Tubers MiniFestival, Virginia Anderson, Walt Shaw, Wilson Art Gallery, Young Vic | Leave a comment

jazzColo[u]rs: le discrepanze tra finzione scientifica e realtà pratica

By Han-earl Park | Published: August 4, 2015

In the interview with Han-earl Park in the current issue of jazzColo[u]rs (Sommario Ago./Set. 2015, Anno VIII, n. 8–9), Andrew Rigmore asks about the the balance of freedom and prediction in working with improvising machines such as io 0.0.1 beta++: In teoria è tutto aperto, free, non ci sono quasi pre-istruzioni, tranne la durata approssimativa […]

Posted in construction, hardware, software, theory | Also tagged actors, Andrew Rigmore, automaton, autonomy, Bruce Coates, command-control, construction, Franziska Schroeder, improvisation, interaction, interface, interview, io 0.0.1 beta++, jazzColo[u]rs, machine musician, musical automaton, musicality, networks, press, robotics, science fiction, time | Leave a comment

Improjazz: drama without narration

By Han-earl Park | Published: June 11, 2015

Somehow I managed to miss this when it came out. Noël Tachet’s review of ‘io 0.0.1 beta++’ (SLAMCD 531) in Improjazz from way back in March 2012: Expériences de résonnances et d’occupation de l’espace sonore. Très dramatique sans narration. Tout l’espace est occupé, toujours de manière surprenante, avec peu de sons, peu de matière (toutefois […]

Posted in audio recordings, performance | Also tagged 05-25-2010, 05-26-2010, 08-19-2010, audio recordings, Bruce Coates, CD, Cork, Franziska Schroeder, Improjazz, improvisation, interaction, io 0.0.1 beta++, Noël Tachet, performance, recordings, reviews, robotics, Slam Productions, SLAMCD 531 | Leave a comment

CloudsandClocks: deep dialogue

By Han-earl Park | Published: May 17, 2015

While reviewing ‘Anomic Aphasia’ (SLAMCD 559) by Han-earl Park, Catherine Sikora, Nick Didkovsky and Josh Sinton, Beppe Colli, writing in CloudsandClocks, is reminded of ‘io 0.0.1 beta++’ (SLAMCD 531): It was about four years ago that—totally by chance: I found the CD in my mailbox—I listened to guitarist Han-earl Park for the very first time. […]

Posted in audio recordings, performance | Also tagged 05-25-2010, 05-26-2010, 08-19-2010, Anomic Aphasia, audio recordings, automaton, Beppe Colli, Brooklyn, Bruce Coates, Catherine Sikora, CD, CloudsandClocks, Cork, Eris 136199, Franziska Schroeder, George E Lewis, improvisation, interaction, io 0.0.1 beta++, Josh Sinton, Metis 9, musical automaton, New York, Nick Didkovsky, performance, recordings, reviews, Slam Productions, SLAMCD 531, SLAMCD 559, Voyager | Leave a comment

Han-earl Park and Bruce Coates (Birmingham, 10-04-14)

By Han-earl Park | Published: October 5, 2014

October 28, 2014 at 8:00pm: Fizzle presents guitarist Han-earl Park (performing with Dominic Lash: double bass; and Mark Sanders: drums) and saxophonist Bruce Coates (performing as part of A, B & C with Lee Allatson: drums; and Stewart Brackley: bass). The event takes place at The Lamp Tavern (Barford Street, Birmingham B5 6AH) [map…]. Admission […]

Posted in and by the way, performance | Also tagged 10-04-2014, A B & C, Birmingham, Bruce Coates, Dominic Lash, Fizzle, Improvisation Birmingham, Lee Allatson, Mark Sanders, performance, Stewart Brackley, The Lamp Tavern | 2 Responses

video trailer: io 0.0.1 beta++

By Han-earl Park | Published: August 30, 2014

I’m creating YouTube samplers of some of the more recent items in my discography, and I’ve started by uploading a trailer for ‘io 0.0.1 beta++’ (SLAMCD 531) [more info on the recording…]. On the stage: two men, a woman, and an artifact, a freestanding mélange of industrial, military, and domestic hardware. The humans hold graceful, […]

Posted in audio recordings, performance, website | Also tagged 05-25-2010, 05-26-2010, Arts Council of Ireland, audio recordings, automaton, Bruce Coates, CD, Cork, François Couture, Franziska Schroeder, Futurism, improvisation, interaction, io 0.0.1 beta++, Monsieur Délire, Music Network, musical automaton, MusicZoom, performance, photographs, recordings, Sara Roberts, Slam Productions, SLAMCD 531, Stephanie Hough, UCC Department of Music, video, Vittorio, YouTube | 1 Response

Dalston Sound: sonic terrain

By Han-earl Park | Published: April 13, 2013

In the context of his discussion of Richard Barrett’s Dark Matter, and Barrett and Han-earl Park’s ‘Numbers’, Tim Owen of Dalston Sound describes ‘io 0.0.1 beta++’ (SLAMCD 531): Intellectually, if nothing else, the pair [Richard Barrett and Han-earl Park] are an intriguing match. Before his meeting with Barrett, in May 2010, Park recorded an album, […]

Posted in audio recordings, performance | Also tagged 05-25-2010, 05-26-2010, 08-19-2010, audio recordings, automaton, Bruce Coates, CD, Christian Eggen, Cikada, Cork, Creative Sources Recordings, CS 201 cd, Dalston Sound, Dark Matter, Deborah Kayser, electronics, Elision Ensemble, Franziska Schroeder, improvisation, interaction, io 0.0.1 beta++, musical automaton, Numbers, performance, press, recordings, reviews, Richard Barrett, Slam Productions, SLAMCD 531, technological artifact, technology, Tim Owen | Leave a comment

Han-earl Park with mystery saxophonist (New York, 02-24-13)

By Han-earl Park | Published: February 21, 2013

Sunday, February 24, 2013, at 6:00pm (our set: 7:00pm): a performance by Han-earl Park (guitar) with mystery saxophonist takes place at the Downtown Music Gallery (13 Monroe Street, New York, NY 10002-7351). [Details…] I can’t say how this is relevant to machine improvisation, machine musicianship, or musical automata, but I will say that it will […]

Posted in and by the way, performance | Also tagged 02-24-2013, Downtown Music Gallery, Franziska Schroeder, New York, performance | Leave a comment

current state 2013: human actors

By Han-earl Park | Published: January 2, 2013

Still planning to take the io 0.0.1 beta++ on the road in 2014, but, in the meantime, here’s what the machine improviser’s (human) colleagues have been up to since last year’s update, and a little of what’s coming up in 2013. Han-earl Park Based in Brooklyn, during 2012, Han-earl Park has been performing with Michael Evans, Louise […]

Posted in and by the way, performance, website | Also tagged ABC No Rio, Andrew Drury, Belfast, BIG EARS – learning to design sonic arts, Birmingham Improvisers’ Orchestra, BRIDGE 9381A/B, Bridge Records, Brooklyn, Bruce Coates, Cambridge Scholars Publishing, Canterbury, Caroline Forbes, Catherine Sikora, Charles Hayward, Chris Hobbs, Citizens Ontological Music Agenda, Creative Sources Recordings, CS 201 cd, David Borgo, Délire actuel, Dominic Lash, Douglass Street Music Collective, Eris 136199, Evan Parker, FAINT, Fizzle, François Couture, Franziska Schroeder, Freedom of the City, Geoff Bright, Georgina Born, Harris Eisenstadt, Ian Smith, Identity Performance and Technology: Practices of empowerment embodiment and technicity, Imogene Newland, Improvisation Birmingham, Improvisation in the 21st Century, io 0.0.1 beta++, Jazz @ The Oxford, Jo Machon, Josh Sinton, Juxtavoices, London, Louise Dam Eckardt Jensen, Magna, Mark Hanslip, Mark Sanders, Massimo Ricci, Mathilde 253, Michael Evans, Monsieur Délire, New York, Nick Didkovsky, Nine Ways of Seeing a Body: Body & Performance, Node/Flow/Mass Disaster Box, Numbers, On The Way Out, Out Of Your Head Brooklyn, Oxford, Palgrave Macmillan, Paul Dunmall, Perspective on Musical Improvisation, Phillip Marks, Richard Barrett, Rotherham, Shifting Listening Identities—Towards a Fluidity of Form in Digital Music, Sonic Arts Research Centre, Sonorities Festival, Sounds New Contemporary Music Festival, Sue Broadhurst, The $100 Guitar Project, The Musical Body—Devising a choreo-musical interpretation for the work Tierkreis (1974–75) by Karlheinz Stockhausen, The Stone, Tim Perkis, Triarchy Press, Virginia Anderson, Walt Shaw | Leave a comment

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