Tag Archives: audio recordings

RIP, Douglas Rain

By Han-earl Park | Published: November 13, 2018

RIP, Douglas Rain, who gave his voice to the machines of our dreams and nightmares, and shaped the vocality that stood for anxiety in the age of machines.

Posted in and by the way, audio recordings, theory | Also tagged Automatic Morricone Machine, bodies, body, Douglas Rain, HAL68000, HAL9000, Han-earl Park, HMSL, identities, machine musician, musical automaton, recordings, robotics, software, speech synthesis, voice | Leave a comment

Improjazz: drama without narration

By Han-earl Park | Published: June 11, 2015

Somehow I managed to miss this when it came out. Noël Tachet’s review of ‘io 0.0.1 beta++’ (SLAMCD 531) in Improjazz from way back in March 2012: Expériences de résonnances et d’occupation de l’espace sonore. Très dramatique sans narration. Tout l’espace est occupé, toujours de manière surprenante, avec peu de sons, peu de matière (toutefois […]

Posted in audio recordings, performance | Also tagged 05-25-2010, 05-26-2010, 08-19-2010, Bruce Coates, CD, Cork, Franziska Schroeder, Han-earl Park, Improjazz, improvisation, interaction, io 0.0.1 beta++, Noël Tachet, performance, recordings, reviews, robotics, Slam Productions, SLAMCD 531 | Leave a comment

CloudsandClocks: deep dialogue

By Han-earl Park | Published: May 17, 2015

While reviewing ‘Anomic Aphasia’ (SLAMCD 559) by Han-earl Park, Catherine Sikora, Nick Didkovsky and Josh Sinton, Beppe Colli, writing in CloudsandClocks, is reminded of ‘io 0.0.1 beta++’ (SLAMCD 531): It was about four years ago that—totally by chance: I found the CD in my mailbox—I listened to guitarist Han-earl Park for the very first time. […]

Posted in audio recordings, performance | Also tagged 05-25-2010, 05-26-2010, 08-19-2010, Anomic Aphasia, automaton, Beppe Colli, Brooklyn, Bruce Coates, Catherine Sikora, CD, CloudsandClocks, Cork, Eris 136199, Franziska Schroeder, George E Lewis, Han-earl Park, improvisation, interaction, io 0.0.1 beta++, Josh Sinton, Metis 9, musical automaton, New York, Nick Didkovsky, performance, recordings, reviews, Slam Productions, SLAMCD 531, SLAMCD 559, Voyager | Leave a comment

video trailer: io 0.0.1 beta++

By Han-earl Park | Published: August 30, 2014

I’m creating YouTube samplers of some of the more recent items in my discography, and I’ve started by uploading a trailer for ‘io 0.0.1 beta++’ (SLAMCD 531) [more info on the recording…]. On the stage: two men, a woman, and an artifact, a freestanding mélange of industrial, military, and domestic hardware. The humans hold graceful, […]

Posted in audio recordings, performance, website | Also tagged 05-25-2010, 05-26-2010, Arts Council of Ireland, automaton, Bruce Coates, CD, Cork, François Couture, Franziska Schroeder, Futurism, Han-earl Park, improvisation, interaction, io 0.0.1 beta++, Monsieur Délire, Music Network, musical automaton, MusicZoom, performance, photographs, recordings, Sara Roberts, Slam Productions, SLAMCD 531, Stephanie Hough, UCC Department of Music, video, Vittorio, YouTube | 1 Response

Dalston Sound: sonic terrain

By Han-earl Park | Published: April 13, 2013

In the context of his discussion of Richard Barrett’s Dark Matter, and Barrett and Han-earl Park’s ‘Numbers’, Tim Owen of Dalston Sound describes ‘io 0.0.1 beta++’ (SLAMCD 531): Intellectually, if nothing else, the pair [Richard Barrett and Han-earl Park] are an intriguing match. Before his meeting with Barrett, in May 2010, Park recorded an album, […]

Posted in audio recordings, performance | Also tagged 05-25-2010, 05-26-2010, 08-19-2010, automaton, Bruce Coates, CD, Christian Eggen, Cikada, Cork, Creative Sources Recordings, CS 201 cd, Dalston Sound, Dark Matter, Deborah Kayser, electronics, Elision Ensemble, Franziska Schroeder, Han-earl Park, improvisation, interaction, io 0.0.1 beta++, musical automaton, Numbers, performance, press, recordings, reviews, Richard Barrett, Slam Productions, SLAMCD 531, technological artifact, technology, Tim Owen | Leave a comment

Downtown Music Gallery is back!

By Han-earl Park | Published: November 4, 2012

Downtown Music Gallery is back up and running after Hurricane Sandy, and they need your support. If io 0.0.1 beta++ could express a preference, I imagine it would state Downtown Music Gallery to be its favorite record store. io, however, cannot prefer, or express a preference for, anything… but you have my expression of preference! […]

Posted in and by the way, audio recordings | Also tagged Bruce Coates, Downtown Music Gallery, Franziska Schroeder, Han-earl Park, Hurricane Sandy, io 0.0.1 beta++, recordings, Slam Productions, SLAMCD 531 | Leave a comment

site update: web audio player

By Han-earl Park | Published: October 30, 2012

I’ve updated the audio player used on this site, and I’m gradually migrating this site’s pages over to the new widget. You can find additional audio recordings (with new widget) on a couple of other pages. I’d be grateful if you could give these a play, and let me know if you have any problems, […]

Posted in audio recordings, website | Also tagged beta test, Bruce Coates, Franziska Schroeder, Han-earl Park, io 0.0.1 beta++, mp3, recordings, Slam Productions, SLAMCD 531, website, WordPress | 4 Responses

site update: farewell music.calarts.edu/~hpark

By Han-earl Park | Published: October 2, 2012

As I’ve stated in more detail elsewhere, music.calarts.edu/~hpark, the original home of io 0.0.1 beta, has shut down. That shouldn’t affect the majority of visitors to this site, but some of the older media files stored on music.calarts.edu (linked via the archived io 0.0.1 beta site) have now been migrated to io001b.com.

Posted in audio recordings, website | Also tagged io 0.0.1 beta++, mp3, recordings, website | Leave a comment

Han-earl Park and Franziska Schroeder (Cork, 03–26–09)

By Han-earl Park | Published: June 12, 2012

Nothing directly to do with io 0.0.1 beta++ specifically (nor machine improvisation generally), however, this does feature the constructor and the on-stage colleague of io, and was recorded around the time of the Mach 26, 2009 development and testing process of the musical automaton. The complete recording of the March 26, 2009 performance by saxophonist, […]

Posted in and by the way, audio recordings, performance | Also tagged Áine Sheil, Attribution-Noncommercial-No Derivative Works License, Bandcamp, Chorale, Cork, Creative Commons, Franziska Schroeder, Han-earl Park, Lewis Glucksman Gallery, mp3, Nova, recordings, Scatter | Leave a comment

Annea Lockwood: gritty complexity

By Han-earl Park | Published: April 19, 2012

I met Annea Lockwood at The Roulette in February which saw the performance of In Our Name. I had the pleasure of talking to her about technological transpositions and the secret lives of everyday (and not so everyday) artifacts. A few days later I posted her a copy of ‘io 0.0.1 beta++’ (SLAMCD 531). A […]

Posted in audio recordings, performance | Also tagged 05-25-2010, Annea Lockwood, CD, Cork, Discovery: Intermodulation, Han-earl Park, In Our Name, interaction, io 0.0.1 beta++, performance, Piano Transplants, recordings, relationships, reviews, Slam Productions, SLAMCD 531, technological artifact, The Roulette, The Secret Life, timbre | 1 Response

Jazz Convention: l’avanguardia è tornata

By Han-earl Park | Published: February 14, 2012

“The avant-garde is back,” according to Romualdo Del Noce at Jazz Convention. In his review of ‘io 0.0.1 beta++’ (SLAMCD 531), Han-earl Park improvises a “rugged plateau” and “hyperacid notes”, Franziska Schroeder enriches “the other half of the sax… with a naked and experimental voice, together in harmony and dissonance with parallel and converging streams […]

Posted in audio recordings, performance | Also tagged 05-25-2010, 05-26-2010, 08-19-2010, aleatory, Alexandra Grimal, authentic human, avant-garde, Bruce Coates, CD, Cork, cyborgs, Franziska Schroeder, Han-earl Park, identities, Ingrid Laubrock, io 0.0.1 beta++, Jazz Convention, Leofranc Holford-Strevens, listening, Matana Roberts, Melanie L Marshall, noise, othering, performance, recordings, reviews, Sara Roberts, Slam Productions, SLAMCD 531 | 1 Response

JazzWord: AI in an improv session

By Han-earl Park | Published: January 22, 2012

This one’s really interesting. Perhaps not the warmest review (in comparison to, say, those at MusicZoom, CloudsandClocks or Monsieur Délire), maybe not the fairest, but Ken Waxman’s take on ‘io 0.0.1 beta++’ (SLAMCD 531) at JazzWord, in which the machine improviser is “unobtrusive and egoless” and “thoughtful pauses” signpost the authentic human, I think is […]

Posted in audio recordings, performance, theory | Also tagged 05-25-2010, 05-26-2010, 08-19-2010, 4G, artificial intelligence, authentic human, Birmingham Improvisers’ Orchestra, Bruce Coates, CD, Charles Hayward, CloudsandClocks, Cork, Franziska Schroeder, Han-earl Park, Ian Smith, improvisation, interaction, io 0.0.1 beta++, JazzWord, Ken Waxman, Mathilde 253, Monsieur Délire, musical automaton, MusicZoom, Pauline Oliveros, performance, Pioneer: Dance, Pioneer: Variance, recordings, Return Trajectory, reviews, Richard Barrett, Slam Productions, SLAMCD 531, Sonic Arts Research Centre, technological artifact | Leave a comment

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