Tag Archives: machine musician

jazzColo[u]rs: le discrepanze tra finzione scientifica e realtà pratica

In the interview with Han-earl Park in the current issue of jazzColo[u]rs (Sommario Ago./Set. 2015, Anno VIII, n. 8–9), Andrew Rigmore asks about the the balance of freedom and prediction in working with improvising machines such as io 0.0.1 beta++: In teoria è tutto aperto, free, non ci sono quasi pre-istruzioni, tranne la durata approssimativa […]

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from the archives: io + I met

Note from the editor (Han-earl Park): This piece by Franziska Schroeder was originally posted November 24, 2008 in response to the first testing session with Franziska. This testing session took place a year and a half before io 0.0.1 beta++’s public debut, and at this stage io was very much work in progress. On the […]

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freedom, machine subjectivity and pseudo-science: twitter transcript

As a institutionally unaffiliated, part-time geek (and amateur anthropologist), I find the Computer Music tribes’ behavior fascinating. This is an unedited transcript of my observations from ImproTech Paris-New York 2012 : Improvisation & Technology series of events. My original observations came in the form of live tweets via @hanearlpark that spanned the performances on May […]

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from the archives: In Conversation with an Automaton

The Leonardo Electronic Almanac’s archives, a project to reissue articles that document over fifteen years of techno-cultural activity, has caught up with ‘My Favorite Things: The Joy of the Gizmo’ (Volume 15, No. 11-12, November–December 2007). That issue of the LEA, a companion to Leonardo Music Journal, Volume 17, featured my article, ‘In Conversation with […]

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(musical) time and machine musicianship (part 0)

Melanie L. Marshall, in asking questions about musicality, takes a Foucauldian track and asks about musicality’s opposite, and in doing so, discusses and critiques some modern attempts at drawing a boundary between the musical and the unmusical. Melanie pulls up research by Henkjan Honing as an interesting, if problematic, example of such an attempt at […]

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io 0.0.1 beta: ironic tale? sci-fi parody? nostalgic relic? (a report from TWO Thousand + NINE)

Some thoughts and observations from my presentation on io 0.0.1 beta at the TWO Thousand + NINE symposium, the Sonic Arts Research Center, Belfast, N. Ireland. [Abstract…] At the end of the presentation, a couple of remarks stood out. One was Franziska Schroeder’s comment that the presentation posed more questions than provided answers, and the […]

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io 0.0.1 beta: ironic tale? sci-fi parody? nostalgic relic? (slideshow)

From the slideshow for the presentation on io 0.0.1 beta at the TWO Thousand + NINE symposium, the Sonic Arts Research Center, Belfast, N. Ireland. [Abstract…] My part (spoken by the humyn participant Han-earl Park) was never written down, but the full transcript of the (imaginary) statements by io 0.0.1 beta are reproduced below. (You […]

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(imaginary) introductions by io

Some imaginary statements by io 0.0.1 beta: Greetings! I am io 0.0.1 beta, an interactive, semi-autonomous, non-human technological artifact—a musical automaton. I operate as parts of a real-time cyborg ensemble—a socio-technical/socio-musical network—in which the primary protocol is improvisation. I am, perhaps, an improviser and a social machine. from the abstract of ‘io 0.0.1 beta: ironic […]

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