Tag Archives: Belfast

current state 2015: human actors

Finger-crossed, some interesting news ahead re. machine musicians (and other technological detritus)… but, in the meantime, here’s another update on the activities of io 0.0.1 beta++’s (human) colleagues (it’s been a while since the last one). Han-earl Park Han-earl Park left Brooklyn at the end of 2013. The last few months in New York were […]

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current state 2013: human actors

Still planning to take the io 0.0.1 beta++ on the road in 2014, but, in the meantime, here’s what the machine improviser’s (human) colleagues have been up to since last year’s update, and a little of what’s coming up in 2013. Han-earl Park Based in Brooklyn, during 2012, Han-earl Park has been performing with Michael Evans, Louise […]

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io 0.0.1 beta: ironic tale? sci-fi parody? nostalgic relic? (a report from TWO Thousand + NINE)

Some thoughts and observations from my presentation on io 0.0.1 beta at the TWO Thousand + NINE symposium, the Sonic Arts Research Center, Belfast, N. Ireland. [Abstract…] At the end of the presentation, a couple of remarks stood out. One was Franziska Schroeder’s comment that the presentation posed more questions than provided answers, and the […]

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io 0.0.1 beta: ironic tale? sci-fi parody? nostalgic relic? (slideshow)

From the slideshow for the presentation on io 0.0.1 beta at the TWO Thousand + NINE symposium, the Sonic Arts Research Center, Belfast, N. Ireland. [Abstract…] My part (spoken by the humyn participant Han-earl Park) was never written down, but the full transcript of the (imaginary) statements by io 0.0.1 beta are reproduced below. (You […]

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io 0.0.1 beta: ironic tale? sci-fi parody? nostalgic relic? (abstract)

I’ll be presenting a paper on io 0.0.1 beta at the TWO Thousand + NINE symposium which takes place at the Sonic Arts Research Center, Belfast, N. Ireland. Abstract: Greetings! I am io 0.0.1 beta, an interactive, semi-autonomous, non-human technological artifact—a musical automaton. I operate as parts of a real-time cyborg ensemble—a socio-technical/socio-musical network—in which […]

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