Tag Archives: time

jazzColo[u]rs: le discrepanze tra finzione scientifica e realtà pratica

In the interview with Han-earl Park in the current issue of jazzColo[u]rs (Sommario Ago./Set. 2015, Anno VIII, n. 8–9), Andrew Rigmore asks about the the balance of freedom and prediction in working with improvising machines such as io 0.0.1 beta++: In teoria è tutto aperto, free, non ci sono quasi pre-istruzioni, tranne la durata approssimativa […]

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(musical) time and machine musicianship (part 0.2)

[Continued from part 0…] [Continued from part 0.1…] Description of video: short calibration exercise followed by an improvisation; exploring ideas of the body-guitar as physical computer, and generating rhythm from that (cyborg) configuration. Recorded: Brooklyn, November 25, 2012. [To be continued in part 1…]

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freedom, machine subjectivity and pseudo-science: twitter transcript

As a institutionally unaffiliated, part-time geek (and amateur anthropologist), I find the Computer Music tribes’ behavior fascinating. This is an unedited transcript of my observations from ImproTech Paris-New York 2012 : Improvisation & Technology series of events. My original observations came in the form of live tweets via @hanearlpark that spanned the performances on May […]

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(musical) time and machine musicianship (part 0.1)

[Continued from part 0…] Talking to Melanie L. Marshall after she read the previous post on musical time clarified some matters that were left unstated. The issue is not so much that a musicality built up from a simple ‘beat detection’ is not possible (such notions of musicality surround us in our music schools, in […]

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(musical) time and machine musicianship (part 0)

Melanie L. Marshall, in asking questions about musicality, takes a Foucauldian track and asks about musicality’s opposite, and in doing so, discusses and critiques some modern attempts at drawing a boundary between the musical and the unmusical. Melanie pulls up research by Henkjan Honing as an interesting, if problematic, example of such an attempt at […]

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