Tag Archives: Beppe Colli

CloudsandClocks: deep dialogue

By Han-earl Park | Published: May 17, 2015

While reviewing ‘Anomic Aphasia’ (SLAMCD 559) by Han-earl Park, Catherine Sikora, Nick Didkovsky and Josh Sinton, Beppe Colli, writing in CloudsandClocks, is reminded of ‘io 0.0.1 beta++’ (SLAMCD 531): It was about four years ago that—totally by chance: I found the CD in my mailbox—I listened to guitarist Han-earl Park for the very first time. […]

Posted in audio recordings, performance | Also tagged 05-25-2010, 05-26-2010, 08-19-2010, Anomic Aphasia, audio recordings, automaton, Brooklyn, Bruce Coates, Catherine Sikora, CD, CloudsandClocks, Cork, Eris 136199, Franziska Schroeder, George E Lewis, Han-earl Park, improvisation, interaction, io 0.0.1 beta++, Josh Sinton, Metis 9, musical automaton, New York, Nick Didkovsky, performance, recordings, reviews, Slam Productions, SLAMCD 531, SLAMCD 559, Voyager | Comments closed

Baroque and Renaissance (audio clip: io 0.0.1 beta++)

By Han-earl Park | Published: December 19, 2011

Third audio clip (and final in the series) from ‘io 0.0.1 beta++’ (SLAMCD 531) below: Franziska Schroeder (soprano saxophone), io 0.0.1 beta++ (itself) and Han-earl Park (guitar). Excerpted from the track ‘Discovery: Decay’, the clip is taken from what is, for me, an uncharacteristic track on the CD, with its serene, careful and economical counterpoint […]

Posted in audio recordings, performance | Also tagged 05-25-2010, audio excerpt, audio recordings, Bruce Coates, CD, CloudsandClocks, Cork, counterpoint, Discovery: Decay, Franziska Schroeder, George Haslam, Han-earl Park, io 0.0.1 beta++, mp3, Ó Riada Hall, performance, photographs, recordings, Slam Productions, SLAMCD 531 | Comments closed

more reviews: experimental, uncompromising, unique man-meets-automaton event

By Han-earl Park | Published: September 12, 2011

Ed Pinsent of The Sound Projector describes the meeting between human and machine improvisers: The guitarist [Han-earl] Park, sometime member of Mathilde 253 whose fine CD impressed us in March this year, is joined by two improvising saxophonists, Bruce Coates (from the Birmingham Improvisers’ Orchestra) and Franziska Schroeder (member of the trio FAINT), and the […]

Posted in audio recordings, performance | Also tagged 05-25-2010, 05-26-2010, 08-19-2010, Alberto Bazzurro, All About Jazz, All About Jazz Italia, audio recordings, Birmingham Improvisers’ Orchestra, Bruce Coates, Bruce Lee Gallanter, CD, Cork, Ed Pinsent, FAINT, François Couture, Franziska Schroeder, Han-earl Park, interaction, io 0.0.1 beta++, Mathilde 253, musical automaton, performance, Pierre Bastien, recordings, reviews, Sara Roberts, Slam Productions, SLAMCD 528, SLAMCD 531, The Sound Projector | Comments closed

CloudsandClocks: disciplina delle scelte

By Han-earl Park | Published: September 4, 2011

Beppe Colli at CloudsandClocks writes a nice review [in English…] [in Italian…] of ‘io 0.0.1 beta++’ (SLAMCD 531) in which the “flesh-and-blood musicians” (Han-earl Park, Bruce Coates and Franziska Schroeder) demonstrate “excellent rapport” and “a good dose of telepathy”, while the machine musician (io 0.0.1 beta++) “works as a valuable stimulus for its fellow musicians”: […]

Posted in audio recordings, performance | Also tagged 05-25-2010, 05-26-2010, 08-19-2010, Alan Turing, Anthony Braxton, audio recordings, body, Bruce Coates, CD, CloudsandClocks, Company, Cork, Derek Bailey, Evan Parker, Franziska Schroeder, Han-earl Park, improvisation, interaction, io 0.0.1 beta++, Joe Pass, performance, physicality, recordings, Return Trajectory, reviews, Sara Roberts, Slam Productions, SLAMCD 531, Turing test | Comments closed

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