Category Archives: audio recordings

Audio documentation of io’s testing process and performances.

Annea Lockwood: gritty complexity

By Han-earl Park | Published: April 19, 2012

I met Annea Lockwood at The Roulette in February which saw the performance of In Our Name. I had the pleasure of talking to her about technological transpositions and the secret lives of everyday (and not so everyday) artifacts. A few days later I posted her a copy of ‘io 0.0.1 beta++’ (SLAMCD 531). A […]

Also posted in performance | Tagged 05-25-2010, Annea Lockwood, audio recordings, CD, Cork, Discovery: Intermodulation, Han-earl Park, In Our Name, interaction, io 0.0.1 beta++, performance, Piano Transplants, recordings, relationships, reviews, Slam Productions, SLAMCD 531, technological artifact, The Roulette, The Secret Life, timbre | Comments closed

Jazz Convention: l’avanguardia è tornata

By Han-earl Park | Published: February 14, 2012

“The avant-garde is back,” according to Romualdo Del Noce at Jazz Convention. In his review of ‘io 0.0.1 beta++’ (SLAMCD 531), Han-earl Park improvises a “rugged plateau” and “hyperacid notes”, Franziska Schroeder enriches “the other half of the sax… with a naked and experimental voice, together in harmony and dissonance with parallel and converging streams […]

Also posted in performance | Tagged 05-25-2010, 05-26-2010, 08-19-2010, aleatory, Alexandra Grimal, audio recordings, authentic human, avant-garde, Bruce Coates, CD, Cork, cyborgs, Franziska Schroeder, Han-earl Park, identities, Ingrid Laubrock, io 0.0.1 beta++, Jazz Convention, Leofranc Holford-Strevens, listening, Matana Roberts, Melanie L Marshall, noise, othering, performance, recordings, reviews, Sara Roberts, Slam Productions, SLAMCD 531 | Comments closed

JazzWord: AI in an improv session

By Han-earl Park | Published: January 22, 2012

This one’s really interesting. Perhaps not the warmest review (in comparison to, say, those at MusicZoom, CloudsandClocks or Monsieur Délire), maybe not the fairest, but Ken Waxman’s take on ‘io 0.0.1 beta++’ (SLAMCD 531) at JazzWord, in which the machine improviser is “unobtrusive and egoless” and “thoughtful pauses” signpost the authentic human, I think is […]

Also posted in performance, theory | Tagged 05-25-2010, 05-26-2010, 08-19-2010, 4G, artificial intelligence, audio recordings, authentic human, Birmingham Improvisers’ Orchestra, Bruce Coates, CD, Charles Hayward, CloudsandClocks, Cork, Franziska Schroeder, Han-earl Park, Ian Smith, improvisation, interaction, io 0.0.1 beta++, JazzWord, Ken Waxman, Mathilde 253, Monsieur Délire, musical automaton, MusicZoom, Pauline Oliveros, performance, Pioneer: Dance, Pioneer: Variance, recordings, Return Trajectory, reviews, Richard Barrett, Slam Productions, SLAMCD 531, Sonic Arts Research Centre, technological artifact | Comments closed

audio salutations for an arbitrary demarcation of time (rev. 2012)

By Han-earl Park | Published: December 29, 2011

If io 0.0.1 beta++ could want, or express a desire, I imagine that it would want to wish all of you a happy arbitrary demarcation of time: io 0.0.1 beta++ (itself) and Han-earl Park (guitar). io, however, cannot want, or express, anything… io, however, cannot want, or express, anything…but Happy New Year from me! about […]

Also posted in performance | Tagged 08-19-2010, 4G, 4G alt, alternate take, Attribution-Noncommercial-No Derivative Works License, audio recordings, C-ALTO Labs, Cork, Creative Commons, Han-earl Park, io 0.0.1 beta++, mp3, recordings, Slam Productions, SLAMCD 531 | Comments closed

Baroque and Renaissance (audio clip: io 0.0.1 beta++)

By Han-earl Park | Published: December 19, 2011

Third audio clip (and final in the series) from ‘io 0.0.1 beta++’ (SLAMCD 531) below: Franziska Schroeder (soprano saxophone), io 0.0.1 beta++ (itself) and Han-earl Park (guitar). Excerpted from the track ‘Discovery: Decay’, the clip is taken from what is, for me, an uncharacteristic track on the CD, with its serene, careful and economical counterpoint […]

Also posted in performance | Tagged 05-25-2010, audio excerpt, audio recordings, Beppe Colli, Bruce Coates, CD, CloudsandClocks, Cork, counterpoint, Discovery: Decay, Franziska Schroeder, George Haslam, Han-earl Park, io 0.0.1 beta++, mp3, Ó Riada Hall, performance, photographs, recordings, Slam Productions, SLAMCD 531 | Comments closed

MusicZoom: un inno totale alla modernità

By Han-earl Park | Published: December 13, 2011

‘io 0.0.1 beta++’ (SLAMCD 531) is “total hymn to modernity” according to the wonderful review by Vittorio at MusicZoom. It’s a session in which the human musicians “throw themselves with passion on the ideas from the inanimate object”, and the listener will be “fully repaid by that which is a successful experiment.” Il titolo da […]

Also posted in performance | Tagged 05-25-2010, 05-26-2010, 08-19-2010, audio recordings, autonomy, Bruce Coates, CD, Cork, Franziska Schroeder, Futurism, Han-earl Park, improvisation, instrument, interaction, io 0.0.1 beta++, musical automaton, MusicZoom, performance, recordings, reviews, Slam Productions, SLAMCD 531, Steve Lacy, technological artifact, Vittorio | Comments closed

Rui Eduardo Paes: máquina de improvisar

By Han-earl Park | Published: November 29, 2011

Rui Eduardo Paes describes a “fake quartet” in which the organic musicians bring their experience in ‘avant-jazz’ and the “electroacoustics’ border with contemporary music” to the music, and in which the automaton “interactively reacting to what they do and even giving them cues”: Este é um falso quarteto entre uma máquina de improvisar, o io […]

Also posted in performance | Tagged 05-25-2010, 05-26-2010, 08-19-2010, audio recordings, Bruce Coates, CD, Charles Hayward, Christian Wolff, Cork, counterfeit, Evan Parker, Felipe Hickman, Franziska Schroeder, Ground-Based Telemetry, Han-earl Park, interaction, io 0.0.1 beta++, Ishmael Wadada Leo Smith, Laplace: Instability, Lol Coxhill, Paul Dunmall, Pauline Oliveros, Pedro Rebelo, performance, recordings, reviews, Rui Eduardo Paes, science fiction, Slam Productions, SLAMCD 531, Tony Oxley | Comments closed

impressive synergy (audio clip: io 0.0.1 beta++)

By Han-earl Park | Published: November 18, 2011

Second audio clip from ‘io 0.0.1 beta++’ (SLAMCD 531) below: Bruce Coates (sopranino saxophone) and io 0.0.1 beta++ (itself). Excerpted from the track ‘Discovery: Intermodulation’, the clip features Bruce Coates on sopranino saxophone in duet with the musical automaton io 0.0.1 beta++. One of my favorite moments from the CD, it’s a performance that demonstrates, […]

Also posted in performance | Tagged 05-25-2010, audio excerpt, audio recordings, Bruce Coates, CD, Cork, Discovery: Intermodulation, François Couture, Franziska Schroeder, George Haslam, Han-earl Park, io 0.0.1 beta++, Monsieur Délire, mp3, Ó Riada Hall, performance, photographs, recordings, Slam Productions, SLAMCD 531 | Comments closed

standing alone (audio clip: io 0.0.1 beta++)

By Han-earl Park | Published: October 21, 2011

Hear a short clip from ‘io 0.0.1 beta++’ (SLAMCD 531) below. The clip, taken from the track ‘Laplace: Perturbation’, features the last minute of the solo by machine improviser io 0.0.1 beta++, and fades out as guitarist Han-earl Park joins it in free play. [More info on the recording…] io 0.0.1 beta++ (itself) with Han-earl […]

Also posted in performance | Tagged 05-25-2010, audio excerpt, audio recordings, Blackrock Castle Observatory, Bruce Coates, CD, Corey Mwamba, Cork, Franziska Schroeder, George Haslam, Han-earl Park, io 0.0.1 beta++, Jonathan Deasy, Laplace: Perturbation, mp3, Ó Riada Hall, performance, photographs, recordings, Slam Productions, SLAMCD 531 | Comments closed

more reviews: experimental, uncompromising, unique man-meets-automaton event

By Han-earl Park | Published: September 12, 2011

Ed Pinsent of The Sound Projector describes the meeting between human and machine improvisers: The guitarist [Han-earl] Park, sometime member of Mathilde 253 whose fine CD impressed us in March this year, is joined by two improvising saxophonists, Bruce Coates (from the Birmingham Improvisers’ Orchestra) and Franziska Schroeder (member of the trio FAINT), and the […]

Also posted in performance | Tagged 05-25-2010, 05-26-2010, 08-19-2010, Alberto Bazzurro, All About Jazz, All About Jazz Italia, audio recordings, Beppe Colli, Birmingham Improvisers’ Orchestra, Bruce Coates, Bruce Lee Gallanter, CD, Cork, Ed Pinsent, FAINT, François Couture, Franziska Schroeder, Han-earl Park, interaction, io 0.0.1 beta++, Mathilde 253, musical automaton, performance, Pierre Bastien, recordings, reviews, Sara Roberts, Slam Productions, SLAMCD 528, SLAMCD 531, The Sound Projector | Comments closed

CloudsandClocks: disciplina delle scelte

By Han-earl Park | Published: September 4, 2011

Beppe Colli at CloudsandClocks writes a nice review [in English…] [in Italian…] of ‘io 0.0.1 beta++’ (SLAMCD 531) in which the “flesh-and-blood musicians” (Han-earl Park, Bruce Coates and Franziska Schroeder) demonstrate “excellent rapport” and “a good dose of telepathy”, while the machine musician (io 0.0.1 beta++) “works as a valuable stimulus for its fellow musicians”: […]

Also posted in performance | Tagged 05-25-2010, 05-26-2010, 08-19-2010, Alan Turing, Anthony Braxton, audio recordings, Beppe Colli, body, Bruce Coates, CD, CloudsandClocks, Company, Cork, Derek Bailey, Evan Parker, Franziska Schroeder, Han-earl Park, improvisation, interaction, io 0.0.1 beta++, Joe Pass, performance, physicality, recordings, Return Trajectory, reviews, Sara Roberts, Slam Productions, SLAMCD 531, Turing test | Comments closed

Monsieur Délire: créature mécanique

By Han-earl Park | Published: August 5, 2011

The “créature mécanique” io 0.0.1 beta++ is “physically present on stage… and it interacts and improvises with the human improvisers.” François Couture’s take on the “faux-quartet” of io with Han-earl Park, Bruce Coates and Franziska Schroeder that appears on the CD ‘io 0.0.1 beta++’ (SLAMCD 531): Ce quatuor (ou faux-quatuor, à la limite) propose des […]

Also posted in performance | Tagged 05-25-2010, 05-26-2010, 08-19-2010, audio recordings, body, Bruce Coates, CD, Cork, François Couture, Franziska Schroeder, Han-earl Park, improvisation, interaction, io 0.0.1 beta++, Monsieur Délire, performance, physicality, recordings, reviews, Slam Productions, SLAMCD 531 | Comments closed

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Category Archives: audio recordings

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