Tag Archives: body

RIP, Douglas Rain

By Han-earl Park | Published: November 13, 2018

Automatic Morricone Machine

RIP, Douglas Rain, who gave his voice to the machines of our dreams and nightmares, and shaped the vocality that stood for anxiety in the age of machines.

Posted in and by the way, audio recordings, theory | Also tagged audio recordings, Automatic Morricone Machine, bodies, Douglas Rain, HAL68000, HAL9000, Han-earl Park, HMSL, identities, machine musician, musical automaton, recordings, robotics, software, speech synthesis, voice | Leave a comment

(musical) time and machine musicianship (part 0.2)

By Han-earl Park | Published: November 25, 2012

[Continued from part 0…] [Continued from part 0.1…] Description of video: short calibration exercise followed by an improvisation; exploring ideas of the body-guitar as physical computer, and generating rhythm from that (cyborg) configuration. Recorded: Brooklyn, November 25, 2012. [To be continued in part 1…]

Posted in theory | Also tagged (musical) time and machine musicianship, analog computer, cyborgs, improvisation, instrument, physicality, recordings, rhythm, time, video, YouTube | 1 Response

freedom, machine subjectivity and pseudo-science: twitter transcript

By Han-earl Park | Published: October 19, 2012

As a institutionally unaffiliated, part-time geek (and amateur anthropologist), I find the Computer Music tribes’ behavior fascinating. This is an unedited transcript of my observations from ImproTech Paris-New York 2012 : Improvisation & Technology series of events. My original observations came in the form of live tweets via @hanearlpark that spanned the performances on May […]

Posted in and by the way, theory | Also tagged appropriation, artificial intelligence, Automatic Morricone Machine, bell hooks, Bob Ostertag, Brooklyn, Bruce Coates, Cecil Taylor, Clarence Barlow, class, colonialism, Columbia University, Computer Music, Doctor Nerve, Frances-Marie Uitti, Frank Zappa, Franziska Schroeder, Fred Lerdahl, freedom, Futurism, gender, George E Lewis, gesture, Han-earl Park, identities, idiom, Ikue Mori, ImproTech Paris-New York 2012 : Improvisation & Technology, improvisation, instrument, interaction, interface, io 0.0.1 beta++, Isaac Schankler, James Tenney, jazz, Jean-Claude Risset, Jeff Albert, Joel Ryan, John Searle, latency, machine musician, Matana Roberts, Matt Ingalls, Mauricio Kagel, Max, Melanie L Marshall, Michel Foucault, Miller Puckette, Murray Campbell, New York, New York University, Nick Didkovsky, Nicolas Collins, notation, Owen Green, parameterization, performance practice, physicality, race, Ray Jackendoff, reductionism, rhythm, Richard Barrett, Robert Moog, SimJazz, subjectivity, Sun Ra, technological artifact, technology, The Roulette, Tim Perkis, time, Twitter, virtuosity, Voyager | 3 Responses

(musical) time and machine musicianship (part 0)

By Han-earl Park | Published: February 20, 2012

Melanie L. Marshall, in asking questions about musicality, takes a Foucauldian track and asks about musicality’s opposite, and in doing so, discusses and critiques some modern attempts at drawing a boundary between the musical and the unmusical. Melanie pulls up research by Henkjan Honing as an interesting, if problematic, example of such an attempt at […]

Posted in construction, software, theory | Also tagged (musical) time and machine musicianship, Andrew Cyrille, autonomy, beat detection, Bruno Latour, Charles Hayward, cognition, command-control, cyborgs, Henkjan Honing, heterogeneity, hierarchy, HZ, input, Jim Black, machine musician, Mark Sanders, Melanie L Marshall, Michel Foucault, musicality, pedagogy, rhythm, TED, TEDxAmsterdam, time, Tony Oxley, wind-chimes | 7 Responses

CloudsandClocks: disciplina delle scelte

By Han-earl Park | Published: September 4, 2011

Beppe Colli at CloudsandClocks writes a nice review [in English…] [in Italian…] of ‘io 0.0.1 beta++’ (SLAMCD 531) in which the “flesh-and-blood musicians” (Han-earl Park, Bruce Coates and Franziska Schroeder) demonstrate “excellent rapport” and “a good dose of telepathy”, while the machine musician (io 0.0.1 beta++) “works as a valuable stimulus for its fellow musicians”: […]

Posted in audio recordings, performance | Also tagged 05-25-2010, 05-26-2010, 08-19-2010, Alan Turing, Anthony Braxton, audio recordings, Beppe Colli, Bruce Coates, CD, CloudsandClocks, Company, Cork, Derek Bailey, Evan Parker, Franziska Schroeder, Han-earl Park, improvisation, interaction, io 0.0.1 beta++, Joe Pass, performance, physicality, recordings, Return Trajectory, reviews, Sara Roberts, Slam Productions, SLAMCD 531, Turing test | 3 Responses

Monsieur Délire: créature mécanique

By Han-earl Park | Published: August 5, 2011

The “créature mécanique” io 0.0.1 beta++ is “physically present on stage… and it interacts and improvises with the human improvisers.” François Couture’s take on the “faux-quartet” of io with Han-earl Park, Bruce Coates and Franziska Schroeder that appears on the CD ‘io 0.0.1 beta++’ (SLAMCD 531): Ce quatuor (ou faux-quatuor, à la limite) propose des […]

Posted in audio recordings, performance | Also tagged 05-25-2010, 05-26-2010, 08-19-2010, audio recordings, Bruce Coates, CD, Cork, François Couture, Franziska Schroeder, Han-earl Park, improvisation, interaction, io 0.0.1 beta++, Monsieur Délire, performance, physicality, recordings, reviews, Slam Productions, SLAMCD 531 | 1 Response

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