video – io 0.0.1 beta++ interactive, semi-autonomous technological artifact, musical automaton, machine musician and improviser Sat, 30 Aug 2014 10:32:22 +0000 en-US hourly 1 25192515 video trailer: io 0.0.1 beta++ /2014/08/30/video-trailer/ /2014/08/30/video-trailer/#comments Sat, 30 Aug 2014 10:32:22 +0000 /?p=2993

I’m creating YouTube samplers of some of the more recent items in my discography, and I’ve started by uploading a trailer for ‘io 0.0.1 beta++’ (SLAMCD 531) [more info on the recording…].

On the stage: two men, a woman, and an artifact, a freestanding mélange of industrial, military, and domestic hardware. The humans hold graceful, polished objects, but the domed assemblage stands alone. And while the woman and men make sound (vibrate the air) holding and fingering the graceful objects, the artifact, named io 0.0.1 beta++, makes sounds without being touched at all. io and the humans improvise together, listening to each other, responding to each other’s musical gestures.

Sara Roberts (from the liner notes)

Music by Han-earl Park, Bruce Coates and Franziska Schroeder.
Images © 2010 Han-earl Park, and © 2010 Stephanie Hough.
Video collage © 2014 Han-earl Park. ℗ 2011 SLAM Productions.

‘io 0.0.1 beta++ (SLAMCD 531) CD cover (copyright 2011, Han-earl Park)

‘io 0.0.1 beta++’ (SLAMCD 531) is available from SLAM Productions. [Details…]

personnel: io 0.0.1 beta++ (itself), Han-earl Park (guitar), Bruce Coates (alto and sopranino saxophones) and Franziska Schroeder (soprano saxophone).

© 2011 Han-earl Park.
℗ 2011 SLAM Productions.

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(musical) time and machine musicianship (part 0.2) /2012/11/25/musical-time-and-machine-musicianship-part-0-2/ /2012/11/25/musical-time-and-machine-musicianship-part-0-2/#comments Mon, 26 Nov 2012 04:04:15 +0000 /?p=2698

[Continued from part 0…]
[Continued from part 0.1…]

Description of video: short calibration exercise followed by an improvisation; exploring ideas of the body-guitar as physical computer, and generating rhythm from that (cyborg) configuration. Recorded: Brooklyn, November 25, 2012.

[To be continued in part 1…]

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