timbre – io 0.0.1 beta++ interactive, semi-autonomous technological artifact, musical automaton, machine musician and improviser Thu, 19 Apr 2012 16:56:39 +0000 en-US hourly 1 25192515 Annea Lockwood: gritty complexity /2012/04/19/annea-lockwood-gritty-complexity/ /2012/04/19/annea-lockwood-gritty-complexity/#comments Thu, 19 Apr 2012 16:56:39 +0000 /?p=2471 I met Annea Lockwood at The Roulette in February which saw the performance of In Our Name. I had the pleasure of talking to her about technological transpositions and the secret lives of everyday (and not so everyday) artifacts. A few days later I posted her a copy of ‘io 0.0.1 beta++’ (SLAMCD 531). A few days ago I got a message from Annea:

This is fascinating and I hope to have a chance to hear and see you and io live. The interaction between io and the three other players is really supple, especially evident in track 4 [Discovery: Intermodulation], and I like very much the gritty complexity of io’s vocabulary, and the fine sense of shaping, timbrally and in terms of gesture, plus the contrast between its timbral character and that of the two saxs and your guitar.

It’s a true honor to have the feedback from a composer with such imagination and skill, and a veteran of exploring biological, technological and social relations. Thanks, Annea!

[More info on the recording…] [All reviews…]

‘io 0.0.1 beta++ (SLAMCD 531) CD cover (copyright 2011, Han-earl Park)

‘io 0.0.1 beta++’ (SLAMCD 531) is available from SLAM Productions. [Details…]

personnel: io 0.0.1 beta++ (itself), Han-earl Park (guitar), Bruce Coates (alto and sopranino saxophones) and Franziska Schroeder (soprano saxophone).

© 2011 Han-earl Park.
℗ 2011 SLAM Productions.

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its own sound (liner notes: io 0.0.1 beta++) /2011/05/21/its-own-sound-liner-notes-io-001-beta/ /2011/05/21/its-own-sound-liner-notes-io-001-beta/#comments Sat, 21 May 2011 11:53:48 +0000 /?p=1281 Han-earl Park and io 0.0.1 beta++, Blackrock Castle Observatory, 05-26-2010 (photo copyright 2010, Stephanie Hough)

Han-earl Park and io 0.0.1 beta++ (Blackrock Castle Observatory, Cork, May 26, 2010). Photo © 2010 Stephanie Hough.

Another short excerpt from Sara Robertsliner notes to ‘io 0.0.1 beta++’ (SLAMCD 531):

io 0.0.1 beta++ is rather special in being both an instrument and a player. And given the two attributes it has a very particular sound, ‘sound’ here referring to both timbral quality and the broader sense of having an indelible identity, a style, having its own sound. [2]

io has an extravagant range of sounds made with superhuman amounts of air, and superhuman articulations of air resistance: a hummingbird trill that can go on without the limit of breath, bleats, blats, a grainy slur, shifts between piping and sandy sounds, elephant-like trumpeting, a faint spitty-sounding purr, slushy trills, a hoarse blast of full-spectrum noise, scumbling, whispery hisses ramping up to loud razzing. It can make delicate birdlike chirpings then abruptly sound like a power tool under duress, or render sounds reminiscent of emergency vehicles.

[2] George E. Lewis, ‘Interacting with Latter-Day Musical Automata’, Contemporary Music Review, Vol.18, No.3, 99–112 (1999).

© 2011 Sara Roberts.

Read the first excerpt: ‘a curious situation (liner notes: io 0.0.1 beta++)’.

‘io 0.0.1 beta++ (SLAMCD 531) CD cover (copyright 2011, Han-earl Park)

‘io 0.0.1 beta++’ (SLAMCD 531) will be released by SLAM Productions in fall August 2011. [Details…]

personnel: io 0.0.1 beta++ (itself), Han-earl Park (guitar), Bruce Coates (alto and sopranino saxophones) and Franziska Schroeder (soprano saxophone).

© 2011 Han-earl Park.
℗ 2011 SLAM Productions.

updates

06–11–11: change release date to August 2011.

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