Tag Archives: audience

manifesto in action (liner notes: io 0.0.1 beta++)

Fourth and final excerpt from Sara Roberts’ liner notes to ‘io 0.0.1 beta++’ (SLAMCD 531): There is the limbic tickle of Freud’s uncanny, yes, our scanners are confused by this non-human playing music with humans. But even beyond that animal attentiveness we watch and listen carefully because we know we’re seeing a kind of manifesto […]

Posted in audio recordings, performance, theory | Also tagged , , , , , , , , , , , , , , , , | Comments closed

standing alone (liner notes: io 0.0.1 beta++)

Third excerpt from Sara Roberts’ liner notes to ‘io 0.0.1 beta++’ (SLAMCD 531): For the audience, wondering how this artifact has so much presence, is so handily managing a situation they themselves might be challenged to negotiate? There is something in io’s performance that a human musician, even playing io as an instrument, could not […]

Posted in audio recordings, performance, theory | Also tagged , , , , , , , , , , , , , , , , , , | Comments closed