Tag Archives: Sara Roberts

its own sound (liner notes: io 0.0.1 beta++)

Another short excerpt from Sara Roberts’ liner notes to ‘io 0.0.1 beta++’ (SLAMCD 531): io 0.0.1 beta++ is rather special in being both an instrument and a player. And given the two attributes it has a very particular sound, ‘sound’ here referring to both timbral quality and the broader sense of having an indelible identity, […]

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a curious situation (liner notes: io 0.0.1 beta++)

A short excerpt from the liner notes to ‘io 0.0.1 beta++’ (SLAMCD 531) written by the California-based interactive media artist Sara Roberts: On the stage: two men, a woman, and an artifact, a freestanding mélange of industrial, military, and domestic hardware. The humans hold graceful, polished objects, but the domed assemblage stands alone. And while […]

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acknowledgments: Human-Machine Improvisations (Cork, 2010)

Formal acknowledgments below, but my personal thanks to Clair and Riccardo for hosting this event, to Kevin for the behind-the-scenes help, to John Hough for answering requests for technical assistance, and to Stephanie for her visual skills. Special kudos to Melanie for supporting me through the highs and lows of prepping and running this venture, […]

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beta test 11-10-08: preamble

frankenmusic(s) Almost eight years ago, when io-to-be was a bunch of discorporate code fragments, Sara Roberts remarked that the enterprise of constructing a machine improvisers wasn’t so much megalomanic as Frankensteinian. Fifteen days ago, during the break between beta test sessions, Franziska Schroeder asked a pithy question that cut to the core of this enterprise: […]

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