Tag Archives: Franziska Schroeder

Downtown Music Gallery is back!

By Han-earl Park | Published: November 4, 2012

Downtown Music Gallery is back up and running after Hurricane Sandy, and they need your support. If io 0.0.1 beta++ could express a preference, I imagine it would state Downtown Music Gallery to be its favorite record store. io, however, cannot prefer, or express a preference for, anything… but you have my expression of preference! […]

Posted in and by the way, audio recordings | Also tagged audio recordings, Bruce Coates, Downtown Music Gallery, Han-earl Park, Hurricane Sandy, io 0.0.1 beta++, recordings, Slam Productions, SLAMCD 531 | Comments closed

site update: web audio player

By Han-earl Park | Published: October 30, 2012

I’ve updated the audio player used on this site, and I’m gradually migrating this site’s pages over to the new widget. You can find additional audio recordings (with new widget) on a couple of other pages. I’d be grateful if you could give these a play, and let me know if you have any problems, […]

Posted in audio recordings, website | Also tagged audio recordings, beta test, Bruce Coates, Han-earl Park, io 0.0.1 beta++, mp3, recordings, Slam Productions, SLAMCD 531, website, WordPress | Comments closed

freedom, machine subjectivity and pseudo-science: twitter transcript

By Han-earl Park | Published: October 19, 2012

As a institutionally unaffiliated, part-time geek (and amateur anthropologist), I find the Computer Music tribes’ behavior fascinating. This is an unedited transcript of my observations from ImproTech Paris-New York 2012 : Improvisation & Technology series of events. My original observations came in the form of live tweets via @hanearlpark that spanned the performances on May […]

Posted in and by the way, theory | Also tagged appropriation, artificial intelligence, Automatic Morricone Machine, bell hooks, Bob Ostertag, body, Brooklyn, Bruce Coates, Cecil Taylor, Clarence Barlow, class, colonialism, Columbia University, Computer Music, Doctor Nerve, Frances-Marie Uitti, Frank Zappa, Fred Lerdahl, freedom, Futurism, gender, George E Lewis, gesture, Han-earl Park, identities, idiom, Ikue Mori, ImproTech Paris-New York 2012 : Improvisation & Technology, improvisation, instrument, interaction, interface, io 0.0.1 beta++, Isaac Schankler, James Tenney, jazz, Jean-Claude Risset, Jeff Albert, Joel Ryan, John Searle, latency, machine musician, Matana Roberts, Matt Ingalls, Mauricio Kagel, Max, Melanie L Marshall, Michel Foucault, Miller Puckette, Murray Campbell, New York, New York University, Nick Didkovsky, Nicolas Collins, notation, Owen Green, parameterization, performance practice, physicality, race, Ray Jackendoff, reductionism, rhythm, Richard Barrett, Robert Moog, SimJazz, subjectivity, Sun Ra, technological artifact, technology, The Roulette, Tim Perkis, time, Twitter, virtuosity, Voyager | Comments closed

SLAM Productions featured in The New York City Jazz Record

By Han-earl Park | Published: August 6, 2012

This month, The New York City Jazz Record puts a spotlight on the record label SLAM Productions. [NYC Jazz Record (PDF)…] [More…] If the musical automaton io 0.0.1 beta++ could feel gratitude, or express thanks, I imagine it would warmly thank George Haslam and his label for taking a gamble on a recording of real-time […]

Posted in and by the way, audio recordings, performance | Also tagged Bruce Coates, CD, George Haslam, Han-earl Park, io 0.0.1 beta++, Ken Waxman, press, Slam Productions, SLAMCD 531, The New York City Jazz Record | Comments closed

Han-earl Park and Franziska Schroeder (Cork, 03–26–09)

By Han-earl Park | Published: June 12, 2012

Nothing directly to do with io 0.0.1 beta++ specifically (nor machine improvisation generally), however, this does feature the constructor and the on-stage colleague of io, and was recorded around the time of the Mach 26, 2009 development and testing process of the musical automaton. The complete recording of the March 26, 2009 performance by saxophonist, […]

Posted in and by the way, audio recordings, performance | Also tagged Áine Sheil, Attribution-Noncommercial-No Derivative Works License, audio recordings, Bandcamp, Chorale, Cork, Creative Commons, Han-earl Park, Lewis Glucksman Gallery, mp3, Nova, recordings, Scatter | Comments closed

seeking performances (Europe, 2013)

By Han-earl Park | Published: March 21, 2012

Seeking performance opportunities; particularly in Europe 2014: the cyborg ensemble of interactive, semi-autonomous, technological artifact and machine musician and improviser io 0.0.1 beta++ with human musicians Han-earl Park, Bruce Coates and Franziska Schroeder. See performance proposal for further information (availability, technical requirements, performers’ biographies, etc.). overview This quartet (or faux-quartet, if you prefer) performs demanding […]

Posted in performance | Also tagged 2013, Arts Council of Ireland, Blackrock Castle Observatory, Bruce Coates, François Couture, Han-earl Park, io 0.0.1 beta++, Monsieur Délire, MusicZoom, performance, Sara Roberts, Slam Productions, SLAMCD 531, Stephanie Hough, Vittorio | Comments closed

site redesign 02-27-12

By Han-earl Park | Published: February 27, 2012

I’ve made some changes www.io001b.com. The previous design dates back to March 2010 (one that was launched in anticipation to the performance at Blackrock Castle Observatory), and was the basis of the recent update to busterandfriends.com. The new design incorporates some of the changes made for busterandfriends.com, reusing much of the same code, adds a new […]

Posted in website | Also tagged Blackrock Castle Observatory, Thematic, website, WordPress | Comments closed

Jazz Convention: l’avanguardia è tornata

By Han-earl Park | Published: February 14, 2012

“The avant-garde is back,” according to Romualdo Del Noce at Jazz Convention. In his review of ‘io 0.0.1 beta++’ (SLAMCD 531), Han-earl Park improvises a “rugged plateau” and “hyperacid notes”, Franziska Schroeder enriches “the other half of the sax… with a naked and experimental voice, together in harmony and dissonance with parallel and converging streams […]

Posted in audio recordings, performance | Also tagged 05-25-2010, 05-26-2010, 08-19-2010, aleatory, Alexandra Grimal, audio recordings, authentic human, avant-garde, Bruce Coates, CD, Cork, cyborgs, Han-earl Park, identities, Ingrid Laubrock, io 0.0.1 beta++, Jazz Convention, Leofranc Holford-Strevens, listening, Matana Roberts, Melanie L Marshall, noise, othering, performance, recordings, reviews, Sara Roberts, Slam Productions, SLAMCD 531 | Comments closed

JazzWord: AI in an improv session

By Han-earl Park | Published: January 22, 2012

This one’s really interesting. Perhaps not the warmest review (in comparison to, say, those at MusicZoom, CloudsandClocks or Monsieur Délire), maybe not the fairest, but Ken Waxman’s take on ‘io 0.0.1 beta++’ (SLAMCD 531) at JazzWord, in which the machine improviser is “unobtrusive and egoless” and “thoughtful pauses” signpost the authentic human, I think is […]

Posted in audio recordings, performance, theory | Also tagged 05-25-2010, 05-26-2010, 08-19-2010, 4G, artificial intelligence, audio recordings, authentic human, Birmingham Improvisers’ Orchestra, Bruce Coates, CD, Charles Hayward, CloudsandClocks, Cork, Han-earl Park, Ian Smith, improvisation, interaction, io 0.0.1 beta++, JazzWord, Ken Waxman, Mathilde 253, Monsieur Délire, musical automaton, MusicZoom, Pauline Oliveros, performance, Pioneer: Dance, Pioneer: Variance, recordings, Return Trajectory, reviews, Richard Barrett, Slam Productions, SLAMCD 531, Sonic Arts Research Centre, technological artifact | Comments closed

current state 2012: human actors

By Han-earl Park | Published: January 16, 2012

I’ll be posting an article dealing with an aspect of the technical and theoretical construction and operation of a interactive musical automaton in the coming weeks. In the meantime, here’s an update on what some of the (human) actors in the io 0.0.1 beta++ network have been up to, and will be doing in the […]

Posted in and by the way, performance, website | Also tagged Brooklyn, Bruce Coates, Catherine Sikora, Charles Hayward, Claire Coates, Contemporary Music Review, Cork, Creative Sources Recordings, CS 201 cd, Déda, Derby, Digital Resources in the Humanities and Arts, Downtown Music Gallery, Evan Parker, FrImp, Gargantius Effect, Gino Robair, Huddersfield, Ian Smith, Identity Performance and Technology: Practices of empowerment embodiment and technicity, Improvisation Birmingham, International Computer Music Conference, Interpretations, Ishmael Wadada Leo Smith, Jo Machon, John Shiurba, Jonny Marks, Kris Tiner, Mathilde 253, Matt Ingalls, Migrations, mprovisers’ Orchestra, Murray Campbell, Mutt, Network[ed] Listening—Towards a de-centering of beings, New York, Ningbo, Noise Quartet Concert, Numbers, Palgrave Macmillan, PRS, Randy McKean, Richard Barrett, Richard Scott, Roulette, Routledge, Scott R Looney, Shifting Listening Identities—Towards a Fluidity of Form in Digital Music, Silver Orchestra, Sonic Arts Research Centre, Sonorities Festival, Sue Broadhurst, Ted Byrnes, The Brecht Forum, Tim Perkis, Tracy McMullen, Vicmod Records, VMDL11, Walt Shaw | Comments closed

Baroque and Renaissance (audio clip: io 0.0.1 beta++)

By Han-earl Park | Published: December 19, 2011

Third audio clip (and final in the series) from ‘io 0.0.1 beta++’ (SLAMCD 531) below: Franziska Schroeder (soprano saxophone), io 0.0.1 beta++ (itself) and Han-earl Park (guitar). Excerpted from the track ‘Discovery: Decay’, the clip is taken from what is, for me, an uncharacteristic track on the CD, with its serene, careful and economical counterpoint […]

Posted in audio recordings, performance | Also tagged 05-25-2010, audio excerpt, audio recordings, Beppe Colli, Bruce Coates, CD, CloudsandClocks, Cork, counterpoint, Discovery: Decay, George Haslam, Han-earl Park, io 0.0.1 beta++, mp3, Ó Riada Hall, performance, photographs, recordings, Slam Productions, SLAMCD 531 | Comments closed

MusicZoom: un inno totale alla modernità

By Han-earl Park | Published: December 13, 2011

‘io 0.0.1 beta++’ (SLAMCD 531) is “total hymn to modernity” according to the wonderful review by Vittorio at MusicZoom. It’s a session in which the human musicians “throw themselves with passion on the ideas from the inanimate object”, and the listener will be “fully repaid by that which is a successful experiment.” Il titolo da […]

Posted in audio recordings, performance | Also tagged 05-25-2010, 05-26-2010, 08-19-2010, audio recordings, autonomy, Bruce Coates, CD, Cork, Futurism, Han-earl Park, improvisation, instrument, interaction, io 0.0.1 beta++, musical automaton, MusicZoom, performance, recordings, reviews, Slam Productions, SLAMCD 531, Steve Lacy, technological artifact, Vittorio | Comments closed

io 0.0.1 beta++

interactive
semi-autonomous
technological artifact
machine musician and improviser

Tag Archives: Franziska Schroeder

Downtown Music Gallery is back!

site update: web audio player

freedom, machine subjectivity and pseudo-science: twitter transcript

SLAM Productions featured in The New York City Jazz Record

Han-earl Park and Franziska Schroeder (Cork, 03–26–09)

seeking performances (Europe, 2013)

site redesign 02-27-12

Jazz Convention: l’avanguardia è tornata

JazzWord: AI in an improv session

current state 2012: human actors

Baroque and Renaissance (audio clip: io 0.0.1 beta++)

MusicZoom: un inno totale alla modernità

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